When I first conceived the Reborn series, it was just supposed to be a trilogy, and it was just supposed to be about Siobhan and Jasper.
But as I was writing Relapse, I realized other characters in this world had their own, complex stories to tell. One of those characters is, of course, Carly. I’ll address my plans for the rest of the series in a future post, but today I’d like to share with you some of the things that inspired the third installment Reclaim, which releases February 15 (and is available for pre-order now!).
Reclaim initially came out of me psychoanalyzing my own book (Relapse), lol. I try not to censor what comes out of my head when I write (I don’t take something out else unless I truly hate it, it doesn’t make sense, or it ends up really not working). Although I make rough outlines for my books, the characters tend to take the story where they want it to go, and who am I to force them to go another way. (This probably won’t make any sense to you unless you are also a writer, haha.)
That being said…I didn’t like where I had left Carly at the end of that book. (Also, if you haven’t read the first two books yet, this is your obligatory spoiler alert.)
If you recall, Carly’s plot thread in Relapse ended with her realizing there was literally no way she (and Dolos) could get out of Pandora without help. Up until that point, Carly had been more proactive thinking about ways to get out, but eventually she had to accept that it wasn’t going to happen. They had to wait to be rescued.
Then, things got even worse for Carly. She’s part Olympian, but also part human, and so was weakening at a much faster rate than Dolos. She was dying, but Dolos used his ability to create illusions to distract her, and to lessen her pain. I don’t regret writing it that way because I wanted to show that, despite the act he showed to the world, Dolos was, deep down, a good guy, and he cared about Carly, a lot. I like writing those “awwwwww” moments that also kind of make you want to cry and give you lots of feels. (As a romance reader and writer, I enjoy those moments where you realize just how much the hero loves the heroine, and the lengths he’ll go to protect her. But thinking about it a little more deeply, this can sometimes be at the expense of the female character’s autonomy.)
As you know, at the end of Relapse, Siobhan did come to their rescue, and Carly was freed. Woot! Hooray!
Sure, Carly had a moment of weakness, and needed the help of a friend, but I didn’t want to keep her in that position. So I decided to center the next installment around her and how she would…ahem…reclaim her power.
Although I keep the details vague, you also get the sense in Carly’s part of Relapse that, as a child, she was the victim of abuse at the hands of her stepfather. In Reclaim, Carly gets an opportunity to confront this dark period in her life and some of the ways it’s still affecting her. And, just like Siobhan seems to have some pretty unique halfling abilities, Carly taps into a unique power of her own.
Let the Games Begin!
One thing you may remember about Dolos from Relapse is he likes playing games. (Whether he likes playing fairly is another story…) Games are also a theme in Reclaim.
By the way, Dolos’s alter ego is inspired by a combination of Jareth from Labyrinth and Julian from L.J. Smith’s The Forbidden Game trilogy (who probably also has a bit of Jareth in him). There’s enough of a twist on it that my book isn’t TFG fanfiction, but I’d be remiss if I didn’t acknowledge Smith’s influence on my writing. As you’ll see, the opening quote in Reclaim is from the first TFG book, The Hunter: “Sometimes you can’t return good for evil; sometimes evil simply has to be stopped.”
A year ago, when I was first planning out this book and thinking about this theme of games, I remember looking up game theory on Wikipedia. Which took me to a page on pursuit-evasion games, like the princess and monster game. This got me further thinking about portrayals of girls and women in video games, TV shows, movies…basically any form of media…although it is getting better, and at least people are acknowledging and talking about it. So Reclaim became a story about “princess” Carly, battling her own monsters–literal and figurative–and, ultimately, owning her own power.
It’s also just a fun book with some sexy scenes, some fight scenes, and lots of witty banter. 😉
Only two more weeks until Relapse comes out…..eek!!!!! Why did I decide to release it right after Thanksgiving again? Oh, right, because I love you guys, and I want you to have something to read over winter break. 😉
Before we go on with today’s post, I thought I’d mention I got a little (very, very little) writing done this weekend…335 words, to be exact. I’m working on a novella from Anna’s POV. The novella takes place somewhat parallel to the events in Reborn. I don’t know if I’ll do anything with it, or if it will become part of the next book. I’m mainly doing it to find her voice and flesh out her back story, since I want to incorporate more from her POV in future books.
But, anyway, that’s not what today’s post is about. I want to talk about influences: the authors, themes, and types of characters I’ve become obsessed with over the years. This may turn into a two-part post…we shall see…
1. Mischief and Mayhem
As a reader and writer, I’ve always been intrigued by the idea that there could be these otherworldly, always mischievous (and often malevolent) beings sort of lurking in the background, in worlds adjacent to our own, influencing it in ways we don’t realize. (Or sometimes, as they do in Reborn, they get very mixed up in our world.) It’s a totally freaky, even creepy idea–one I think is so much fun to explore in fiction, but nothing I actually believe in real life. When I was first playing around with the story that would eventually become Reborn, this is the concept I knew I wanted to capture. I wanted my supernatural beings to be volatile, mischievous, and manipulative–characteristics often embodied by The Fair Folk. I’m talking about the devious Fair Folk of Irish lore, or like Puck et al in A Midsummer Night’s Dream, not the Disney fairies like Tinker Bell, lol. To be quite honest, I don’t know a lot about Irish folklore besides what I’ve seen other authors use–and they’ve incorporated it quite well already into works of fiction, so I wanted to do something a little different.
I think Karen Marie Moning’s Fae are the best–but, as she is my favorite author, I’m probably biased. In Moning’s Highlander and Fever series, the Fae are arrogant, devious, and lethally seductive. Back in the day, I wrote a book review of The Immortal Highlander–my absolute favorite of her Highlander romance novels. Immortal’s antihero, Adam Black, is a good example of this type of character, although he’s not mischievous in a cruel way. The Seelie Queen places a curse on Adam that strips him of his immortality and makes him invisible. His is a hopeless case until he meets Gabby, a sidhe-seer–gifted with seeing beyond the glamour used by the Fae, and the only one who can see Adam. Since Gabby seems to be his only hope, Adam ingratiates himself into Gabby’s life and eventually convinces her to help him. It’s been awhile since I’ve read this book, but I remember Adam perched on Gabby’s desk at her law firm while she tried to get work done, nagging her. Obviously, that kind of behavior would be super creepy and annoying in real life, but the love-hate dynamic between Adam and Gabby made for a very entertaining book. It didn’t help that Adam’s glamour was that of a sexy Scottish Highlander, making it almost impossible for Gabby to resist him.
Moning went on to write the Fever series–a sexy urban fantasy series in which the walls between our world and that of the Fae become even thinner. The Immortal Highlander isn’t an official prequel to the Fever series, but it’s definitely where her books about time-traveling, sexy Scottish Highlanders start to get much darker, and it sets up the conflict for her later books. I think the Fever series was a pretty daring one–primarily, I’d call it an urban fantasy, but Moning combines elements of a bunch of different genres and just makes it work so well (mystery, sci-fi, romance, and they’re funny as hell). I’d say for marketing purposes, it’s a good strategy to choose one or maybe two genres that your work fits into, but her books have taught me that it’s okay to push the limits of a genre and mix things up a bit.
A very much related type of character is:
2. The Trickster
The Trickster is, according to TV Tropes, which I can’t stop reading lately, a type of character that “plays tricks or otherwise disobeys normal rules and conventional behavior.” This is definitely related to what I’ve described above, but I’m separating them out. We can depict these qualities in an entire race, like the Fair Folk (or the Olympians…), or in an individual character (whose peers may or may not embody these traits). I prefer the darker, more anti-hero-ish tricksters who use outright manipulation and deception to get what they want, without (much) remorse. They also pretty much pop in and out of places and situations as they like without a whole lot of consideration for rules or puny humans other people. Recent examples include Rumpelstiltskin on ABC’s Once Upon A Time and Loki in the Thor franchise. Another classic example (teehee) is Jareth from Labyrinth.
One of my other favorite trickster types is Julian from L.J. Smith’s The Forbidden Game. I’ve most definitely fan-girled over this trilogy before on this blog, but it’s one of my all-time favs. One of my friends introduced me to L.J. Smith back in freshman year or so of high school, and my life was changed, forever. (Dramatic much?) These books were already ten years old or so when I originally read them, and now…yes, I just confirmed on Wikipedia, The Forbidden Game is twenty years old. Aaaaaand now I officially feel old.
Anyway, I reread them this summer (they were first published as separate books, but since they’re short, they’re published now in an omnibus edition), and…they were still good. Sure, they’re written at about a middle school reading level, and, since they are so short, I noticed some of the repetition. Smith is a fan of the epithet, which, in a longer book, may help you remember each character–but, in a shorter book, it gets repetitive. Even so, there’s just something about Smith’s writing I’ve always loved. It almost has a beat to it–like poetry.
The Forbidden Game is an urban fantasy trilogy with a tiny blonde-haired, green-eyed protagonist named Jenny Thornton. Jenny starts out as an innocent, naive girl still dependent on her childhood sweetheart, Tom. (I mean, Tom’s nickname for her is Thorny. You don’t get any more disgustingly cute than that.) There’s mystery and magic from the start of Book One, The Hunter, when Jenny, who is being followed by two delinquent-types, takes refuge in a strange store called “More Games.” She buys a game in a plain white box, simply called “The Game,” from the even stranger boy running the shop. Of course, with his white-blonde hair and otherworldly blue eyes, he’s über attractive–and, despite his seeming indifference towards her, Jenny feels a strange connection to him.
That night, Jenny, Tom, and the rest of their friends start to play The Game, setting up a paper house and drawing their worst nightmares on sheets of paper. The next thing they know, they’re inside the paper mansion, transported there by the cyberpunk boy from the More Games store. His name is Julian, and he’s the youngest of an ancient race called The Shadow Men. In order to win Julian’s twisted game, Jenny and her friends must confront their worst fears–and, if they lose The Game, they lose their lives. Julian is a predator and master of manipulation (and very Jareth-esque). Of course, as the series goes on, you find out that Julian maybe isn’t the ultimate big bad he claims to be.
The Forbidden Game includes one of L.J. Smith’s favorite themes (and, okay, one of mine): the love triangle. Ms. Smith’s love triangle is usually set up as the relatively innocent girl caught between the good guy/hero type and the seemingly bad boy/antihero. In this case, Jenny’s good guy is Tom, and Jenny’s bad boy is Julian. Jenny knows that sweet and caring Tom is the guy for her, but she can’t help but be tempted by Julian’s beauty and charisma. These books are also about obsessive love: Julian is obsessed with Jenny and will do anything to have her.
Which brings us to one of my other favorite topics, and the final one for tonight:
3. Forbidden Desires
Two of my favorite themes in fiction are sin and temptation (well, what is perceived to be sinful by that character). Often, this takes the form of fairly-innocent-girl-gets-tempted-by-dark-sexy-mysterious-man’s-dark-world-of-…..darkness…..okay, I’m becoming less and less articulate as this post goes on, but you get the gist. 😉 Let’s just call it forbidden love/lust. This theme probably at least in part stems from the idea of sex as a sinful or evil act–perhaps a very Western/Christian notion. In some of these stories, the innocent heroine, initially intrigued by the sexy, devilish antihero, ultimately resists temptation and does the “right” thing. Going further with this interpretation, maybe it has something to do with the antiquated notion that women retain their virtue and innocence for as long as possible. And, even though I don’t agree with that, it’s a fun theme to explore in fiction. This is probably why Nathaniel Hawthorne, who was big on writing about sin, temptation, and the hypocrisy of the Puritans, remains one of my favorite classical authors.
Like I said, The Forbidden Game is the perfect example of this. Throughout the series, Jenny has to battle against her attraction to Julian in order to do the right thing and save her friends. But Julian’s influence on her isn’t all bad: Jenny transforms from the innocent girl who still relies on her boyfriend for everything into a more independent and confident young woman who thinks for herself. This theme of the allure of darkness is also a major theme in the musical The Phantom of the Opera. And in a certain 80s children’s fantasy movie.
With the relatively recent explosion in popularly of paranormal romance and other darker forms of romance and fantasy, the above types of characters and themes are fairly common right now–although not every author approaches them in quite the same way. These otherworldly characters, whether they’re the Fae, gods, fallen angels, vampires, etc., may be charming and alluring, but they’re also cunning, dangerous, predatory, and don’t play by our (human) rules. Of late, they’re also typically inhumanly beautiful, which further emphasizes their almost irresistible pull and maybe plays a little bit into the notion that not everything attractive is good for you.
When I think of what a paranormal romance is–just what exactly the genre encompasses–these types of characters and themes are what come to my mind. I think everybody is a little bit different with regards to this. Although many paranormal romances still have that major, initial element of forbidden love, some authors go on to develop a story that is a little more traditionally romantic/lovey dovey, and it’s this type of story a lot of readers are used to now. Since I’ve been marketing Reborn as a paranormal romance, I think a few people have been confused by how I chose to approach Siobhan and Jasper’s relationship. It’s not traditionally romantic–it’s passionate and intense, but also a roller-coaster ride, and even a bit scary at times. That’s because the, er, “classic” paranormal romances, like L.J. Smith’s work, combine themes from the romance and horror genres. I’m not even sure “romance” is the right word, except that it captures the passionate relationship between the two lead characters. But these stories are also about temptation, forbidden desires, obsessive “love,” good and evil, dominance and submission, predator and prey. The settings are dark, mysterious, and sinister–as are some of the characters.
If you’ve read Reborn, you may see now how the above ideas have influenced it. My Olympians are, for the most part, volatile, capricious, mischievous, and manipulative. And even the ones that aren’t completely devious have a dark side (as the tagline for Relapse says, everybody has one…although perhaps not quite to the extent that my characters do, lol). Siobhan isn’t completely innocent in the conventional sense, but she’s a bit of a small-town girl thrown, thanks to Jasper, into the darker, alluring world of the Olympians. Jasper is her forbidden fruit–Siobhan knows he’s dangerous, but is tempted all the same (and Jasper will go to any lengths to keep her). And, unlike the strong, “virtuous” ladies described above, Siobhan isn’t as good at resisting temptation. In Relapse, Siobhan’s struggle against this forbidden world is taken to a new level as she begins to realize she’s more like the manipulative, control-freak Olympians than she thought. As a final tease, you’ll also meet a new character in Relapse–a sexy, silly, trickster-type like Jareth or Julian. I’m excited for you to meet him. 😉
I haven’t done a book review on here for a while, and I have quite a few to get caught up on. I read the first two books in Becca Fitzpatrick’s Hush, Hush series back in May, and finally got around to reading the third and fourth book this August. I decided to just review all of them briefly in one post. Overall, I really enjoyed them, although unfortunately the last installment didn’t quite pull me in like the others did.
I actually became curious about the series because of a few bad reviews I saw about it. Well, “bad” is probably putting it lightly…”scathing” is more like it. And they had less to do with Ms. Fitzpatrick’s writing style/plot/characters and more to do with her main male character, Patch, her quintessential reformed (or is he?) bad boy character, because, you know, it’s impossible to enjoy a character in a book/TV show/movie while recognizing their less desirable qualities wouldn’t make for a good partner in real life. (That’s sarcasm, by the way.) And, although they’re in the minority, she’s also gotten some bad reviews on Goodreads…and this time, by “bad,” I mean actually just pretty horrible and inappropriate. Basically just bullying. I mean, it’s the Internet, so they could be trolls…but if they’re not, there’s really no good excuse for bullying anyone, ever, no matter how justified you think your cause is. (I know by now you’re probably wondering what the heck I’m talking about, so go on Goodreads and take a look for yourself.)
A little more about this at the end of the post. For now, let’s take a quick look at each of the books:
1. Hush, Hush
I thought this was a great debut novel, and I thoroughly enjoyed Ms. Fitzpatrick’s writing style. She sets the story in the slightly dreary Coldwater, Maine, and creates this perfectly sinister, creepy, Halloween-ish atmosphere. It was reminiscent of L.J. Smith’s earlier work (although, in my mind, few people–if anyone–can trump L.J.). Yes, at this point the plot-line is somewhat overdone and predictable, but I gobbled it up just the same: Nora Grey, a smart, cute-if-something-of-a-misfit high school student, encounters Patch, dark, mysterious boy who seems like bad news, and yet Nora can’t resist his magnetic pull (obviously). I know I sound snarky, but I honestly devoured it. The book is mostly centered around unraveling the mystery that is Patch and his relationship with Nora.
Some have criticized the book as being a Twilight ripoff. There are some parallels, but nothing that jumped out at me as obvious plagiarism. I mean, to give credit where credit’s due, Twilight did open up the market for teen paranormal romance, so there are going to be some similarities. But it is also quite possible for two or more people to come up with fairly similar ideas without being influenced directly by each other’s work.
The books are told from Nora’s point-of-view, and I really liked her character. She’s a smart, motivated high school student. Her best friend, Vee, adds some comic relief to the series and is my favorite character. Nora is also the victim of some pretty vicious pranks by Coldwater’s resident mean rich girl, Marcie Millar. I enjoyed most of the characters, even though secondary ones like Vee and Marcie never seem to break out of their stereotypes. (Marcie starts to, a little, later in the series.)
In fact, I have to say the only character I found to be a little underwhelming was…Patch. For being the dark, mysterious, sexy bad boy, he didn’t really pop off the page for me as much as he should. Also, I never could quite get past his nickname. Patch is just not a sexy nickname, in my opinion. It makes me think of an old pirate with missing teeth or a little kid who gets into a lot of mischief and ends up hurting himself.
But, overall, an entertaining read. I gave it four/five stars on Goodreads because it built up a lot to a twist at the end that wasn’t that earth-shattering. (There is, however, a perfectly creepy seen at Delphic amusement park and a particular ride called the Archangel…I LOVE creepy amusement parks in horror/paranormal books!!!)
If you haven’t read Hush, Hush yet and plan to, I’d stop reading now…spoilers ahead…
In Crescendo, we delve a little further into Ms. Fitzpatrick’s dark world of sexy fallen angels and the cursed Nephilim–the children of fallen angels and humans, languishing in between these two worlds and destined to swear fealty to fallen angels. We know that Patch was a fallen angel in Hush, Hush, but, due to the events at the end, now has his wings back and is a guardian angel. But his relationship with Nora isn’t picture perfect, and she catches him doing some pretty suspicious things…like hanging around her arch-nemesis Marcie an awful lot. It doesn’t help that Vee is dating Rixon, Patch’s bff, so Nora can’t quite avoid Patch/people-that-know-Patch completely. Meanwhile, her mother forces her to reconnect with a childhood friend, Scott, who turns out to have some dark secrets of his own. Rixon, though, was my favorite character in this book until…..oh, Rixon…..
From what I recall, this book ended with a cliffhanger, so be prepared for that.
I enjoyed Silence a lot more than I expected I would considering what happens in the first few pages. Which, thankfully, I can tell you about, since it’s in the book’s synopsis and not a spoiler! Nora can’t remember the past five months of her life…including, of course, Patch. So, yes, part of the book ends up being a series of revelations that the reader already knows. This could have ended up super annoying, but I think Fitzpatrick did an excellent job with it…at least for me, I could see where it might bug some readers. I also enjoyed Patch’s character a lot more in this book, and there were some pretty sexy scenes.
I also gave this book four/five stars, and I did have a few issues with it. First off, what happens to Vee in this book, and especially in the last book? Isn’t she Nora’s bff? Where did she go? It’s like she just disappears for large chunks of books three and four. Since I liked her so much, this was really upsetting. Also, Fitzpatrick seems like she’s setting up a whole Scott-Nora-Patch love triangle…not that I necessarily wanted that to happen, because that’s overdone, too, but it definitely seemed headed in that direction, and then it just…doesn’t. (And then you find out in book four that Scott thinks of Nora like a sister? Um, his affection for her in Silence definitely does not seem brotherly.) There’s also a lot of to-do about Nora and Scott going “as friends” to her homecoming dance–Marcie drags Nora out shopping for a dress, and they make a really big deal about finding a dress, and then–the dance doesn’t happen. The book ends before the dance happens. I found this to just be really strange and kind of sloppy. But I’m still giving it four stars for having a nice blend of sinister, romantic, steamy and funny moments. And Scott, who was kind of a jerk in Crescendo, really redeems himself in this book.
I gave this book three out of five stars because I finished it, but honestly, it was a really disappointing end to the series for me. It had its moments, including some surprising twists at the end with both new and old characters. But all in all, my least favorite in the series. I guess I prefer the off-and-on again of fictional relationships because, when Patch and Nora finally end up together, it’s just…annoying, haha. Their romantic dialogue was a little too contrived or something. It doesn’t all come easy for them in this book–they still have some barriers to overcome, including Nora’s attraction to her own dark side. That could have been a really good, gritty plotline (and something I’m exploring with one of my own characters right now), but it fell short for me. I think because Nora feels too guilty about it, haha. Fitzgerald should have pushed her just a teensy bit more.
I will say, though, that Nora turns into a pretty bad ass character. She has to accept a new leadership role in this book and embrace her Nephilim side, so I liked seeing her character develop in these ways.
In summary, it’s a series I would recommend to fans of YA horror/paranormal romance (except for maybe Finale).
And now, to wrap up this review, I’m going to put in my two-cents about the scathing reviews I alluded to above. There are some people who think that the popularity of YA paranormal romance is a reflection of our current culture…and not the nice parts. Now, I get that the books/TV shows/movies of a time period can say a lot about a culture, although I also think part of it is just paranormal romance happens to be one of the “hot” trends right now in book publishing. Its popularity will wax and wane just like everything else, until something new replaces it. That doesn’t mean authors will stop writing in the genre, or that readers will stop reading…just that it won’t be quite the sensation it is now.
That being said, there have always been books that have sought to appeal to our darker side…books that mix elements of the horror genre with elements of romance. I really think that the current YA horror/paranormal romance genre is inspired by (not saying they’re on the same level as) the gothic and dark romanticism movements of long ago–writers like Poe, Hawthorne, Shelley, Lord Byron, the Bronte sisters, Stoker. Writers that explored fringe/outcast characters, antiheroes, and darker themes like the origin of sin, temptation, lust, forbidden love etc. Work that sometimes had a romantic twist to it, albeit a dark one. The idea of darkness being attracted to light, of sin to innocence (like Patch to Nora), is nothing new, and the mere exploring of this theme in writing or some other media is not the same thing as endorsement. So you really don’t have to read the series that way. It’s a forbidden love story…it’s dark and twisted. It’s supposed to be.
I haven’t done an update post in a while, but I’m sick and bored today, so here we go! First off, Reborn is now available on Smashwords and a few other places! Yay! If you’ve read it and would like to leave a review, you can find it on Smashwords here and Barnes and Noble here.
As you might remember, the purpose of Work-In-Progress (WIP) Wednesdays is so I can set personal writing goals. It also serves as a way to let you all know what I’m working on. I hope you’ll join me and link back to your own or share in the comments!
To play, just fill in the following:
1. What are you currently writing?
3. Plan for the upcoming week:
1. What are you currently writing?
I’m still slowly but surely writing Relapse, the sequel to Reborn. Although I’ve made a lot of progress on it, I never seem to get as far with it as I think I will. I thought I’d have a complete draft done by the end of May, but that totally didn’t happen, haha. I think I keep misjudging because I’m learning as I go along, and it takes a long time to write a book. Also, this one is turning out to be longer than the first one, so there’s that.
That all being said…when I checked it out a few days ago, I realized (happily) that I had made a lot more progress on it than I thought! Right now it sits at about 61K! Which is awesome especially compared to the progress I’ve made on my dissertation! So hopefully I’ll have a complete draft for betas to look at soon, because I’m definitely getting to that point where I’m just like…I need someone besides me to read this…
I discovered a new/old(?) group! And I really like this song, although it’s really sinister sounding (but I think that’s why I like it). Also, another warning, the video is kind of creepy…
3. Plan for the upcoming week:
I don’t really have a concrete plan except to just continue chugging along. I do have some book reviews I need to get caught up. I recently re-read The Forbidden Game by L.J. Smith and wanted to write a little bit about that, but I also have some books I need to read/review for fellow authors that I just haven’t gotten around to yet. 😦 So, sorry for being slow, but I’ll get caught up with that!
This has been on my mind because I’m considering eventually changing (among probably many, many other things) Siobhan’s name in my work-in-progress, The Fallen. To be honest, I chose the name Siobhan simply because I like it. I’d like to name my daughter Siobhan one day. But I realize that this could potentially be misleading, since it is an urban fantasy book -at least that’s the genre I would best categorize it as. Someone might think it’s going to incorporate Irish folklore in some way. It doesn’t. On the other hand, I do like the name of Siobhan’s mysterious teaching assistant, Jasper Mars, and it holds some special meaning, as you will find out if you’re following along. 😉
I definitely don’t think it’s necessary for names to symbolize something specific, although I like to do that sometimes. Another one of my own favorite character names from another story is Celeste Lowe; I both like how her first and last name sound together, and she’s an alien, so her first name reflects her otherworldliness. Rather than be a symbol, it is important for a character name to make sense with the setting of the story, time and place, especially if the story relies extra heavily on these elements. For example, if the story takes place in nineteenth century England. Maybe this is quite obvious, but I think it’s important to keep in mind.
Also, I think that characters can have “cool sounding” names even if they’re not especially reflective of anything profound. One of my favorite examples would be J. K. Rowling’s Harry Potter. Ms. Rowling is fantastic at character naming in general, but although a simple name, Harry Potter is just somehow catchy. Its simplicity may be purposeful on her part since Harry is supposed to be an unlikely hero (scrawny kid, brown hair, glasses), but she could have gone with something else equally as simple. John Smith and the Sorcerer’s Stone? Besides being an English explorer, John Smith just doesn’t seem to have the snap to it that Harry Potter does.
Karen Marie Moning, one of my favorite paranormal romance/urban fantasy authors, is also a name-machine. Mackayla Lane. Jericho Barrons (who owns Barrons Books and Baubles). Dani O’Malley. Adam Black. Drustan, Dageus, Christian MacKeltar, you name it. And I can’t forget L. J. Smith: Elena Gilbert, Stefan and Damon Salvatore, Julian, Faye Chamberlain, to name a few. And no matter how you feel about the Twilight saga, Bella Swan, Edward Cullen, and Jacob Black are memorable names. From the world of indie publishing, I always thought Dmitri Maximus from Emily Guido’s Light-Bearer series was a great name.
So, what are your thoughts on character names? How do you come up with your own? (What do you think of mine?) Please share your comments below!