Before getting into tonight’s review, I made a small change to the format of this blog. Now when you go to the home page–instead of my blog post feed–you will be taken to a static page where I will post general updates about what I’m working on, followed by a list of my current books and links if you want to grab a copy. Right now the update is very vague and general since I’m working that out, lol, but it will become more detailed as I figure that out.
A list of recent blog posts is available on the right hand menu.
I decided to do this as a quicker and more general way of keeping readers and those who may stumble upon this blog up-to-date with what I’m working on. I don’t really blog as much as I used to, nor do I usually have the time and/or desire to blog that much, haha. February is an exception because I released a novella and then Reclaim, but I’m going to try to keep update posts to once every month, or even every two months. Until I’m well underway with a project, there’s usually not that much to say, and I end up repeating myself a lot.
With that said, onto my review of Feversong, the final installment of Karen Marie Moning’s Fever series (at least as we know it!).
I thoroughly enjoyed this conclusion to KMM’s Fever series, although I’m super bummed this is the end for Barrons and Mac’s story, at least, it seems, for now. I believe Ms. Moning is planning additional books set in the fever world, only centered around other characters, so I’m interested to see where that goes.
Honestly, I was nervous at the beginning of the book that I wouldn’t like it. At the end of Feverborn, to save herself and Jada/Dani, Mac basically opens her inner Sinsar Dubh…and sure, it gets them out, but it also turns Mac into a psychopath, haha. The parts written from Mac/the Sinsar Dubh’s perspective got old for me, fast, but luckily it’s only the first quarter of the book or so. And she does some REALLY horrible things while she’s possessed. I mean, dear God, lol.
But I loved the rest of the book, and I felt like everything that happened after that was a natural extension of Mac’s story. Also, and I may be in the minority here, but I really like Dani, and I liked seeing her become her old self more and more as the book went on. And I LOVE her and Dancer and get a little annoyed when KMM seems to be trying to appease the Dani/Ryodan shippers while also giving Dani and Dancer the time together they deserve.
I also enjoyed the flashbacks to Dani’s time in the Silvers with Shazam. (I love Shazam.) We get to find out more about him, too.
All in all, KMM brought this second part of the Fever series to a satisfying and admirable close, while still leaving the reader with a bit of a sense of mystery, particularly around the destinies of Barrons and Mac. (If you’re curious or confused, she did write a blog post about this. It’s on her Facebook page, but don’t read it until you finish this book because there are spoilers. But it might clear up any confusion you may have.)
There was also a scene in Feversong that made me cry. 😦 Overall, well done, Ms. Moning!
I’ll have a real update post for you tomorrow, but I’m also trying to get caught up on book reviews. Here is one for Lady Midnight, the first book in Cassandra Clare’s newest trilogy, The Dark Artifices.
Back Cover Book Summary:
“In a secret world where half-angel warriors are sworn to fight demons, parabatai is a sacred word.
A parabatai is your partner in battle. A parabatai is your best friend. Parabatai can be everything to each other—but they can never fall in love.
Emma Carstairs is a warrior, a Shadowhunter, and the best in her generation. She lives for battle. Shoulder to shoulder with her parabatai, Julian Blackthorn, she patrols the streets of Los Angeles, where vampires party on the Sunset Strip, and faeries—the most powerful of supernatural creatures—teeter on the edge of open war with Shadowhunters. When the bodies of humans and faeries turn up murdered in the same way Emma’s parents were when she was a child, an uneasy alliance is formed. This is Emma’s chance for revenge—and Julian’s chance to get back his brother Mark, who is being held prisoner by the faerie Courts. All Emma, Mark, and Julian have to do is solve the murders within two weeks…and before the murderer targets them.
Their search takes Emma from sea caves full of sorcery to a dark lottery where death is dispensed. And each clue she unravels uncovers more secrets. What has Julian been hiding from her all these years? Why does Shadowhunter Law forbid parabatai to fall in love? Who really killed her parents—and can she bear to know the truth?”
So, I am typically a huge Cassandra Clare fan. I loved The Mortal Instruments series. I loved The Infernal Devices trilogy even more. But Lady Midnight was a 3-star read for me and a kind of shaky start to this newest trilogy.
Part of the problem is that LM takes about one hundred pages for the plot to really get moving and interesting. The beginning of the book is A LOT of set up, which is somewhat needed but seemed to take too long and wasn’t as organically incorporated into the developing plot as it could have been. The Mortal Instruments series has a memorable opening with Clary encountering the shadowhunters for the first time in a club called Pandemonium. The opening of this book does not live up to that. Plus, I found myself not really invested in the main plot point–Emma’s search for the person who killed her parents–at least initially. This did get better.
A few other aspects that bothered me: First, there were too many kids. Haha. I get that Clare has developed this character, Julian, who had to grow up quickly, taking care of the household and his brothers and sisters–and I liked that about him. I did. He was one of my favorite characters in the book. But I think she could have gotten this point across without quite so many younger siblings. Plus, when their names are Ty, Livvy, Tavvy, and Drusilla, I got them mixed up, lol. At least at first. Maybe part of it was I didn’t care to keep track of who was who. I liked that she includes Ty as an autistic character, but the other ones seemed pointless. (Or maybe I’m terrible.)
The other major drawback for me was the incorporation of characters from previous books. Look, I get that she has created this world now and it’s all connected and that’s fun, but I could have done without the cameos from Clary, Jace, Alec, Magnus, Jem, and Tessa (Jem’s is the only one that should have been there because it made sense). I would love to know what’s happened to these characters since the ends of their respective series, but maybe in a short story or something. In LM, I just wanted to get a feel for the new characters, and these throwbacks to past books kept taking me out of the story.
I love getting lost in long books, but only if there’s a point to it being that long. I think this book could have been tighter for the reasons mentioned above, and, consequently, about 100 pages shorter than it was.
That being said, I didn’t actually hate this book. Mark Blackthorn’s plot thread saved this book for me. As far as I’m concerned, the entire book could have been about that conflict. Maybe she could just write a series about Mark and Kieran in the Wild Hunt.
There are also some cool surprises in Lady Midnight. (This might be a tiny bit spoiler-y, so stop reading now if you don’t want any sort of spoiler, even a small, vague one.) At first, I thought the rule about parabatai not being allowed to have a romantic relationship was as dumb and senseless as Emma and Julian seemed to think it was, but that got better, too.
Despite the issues I had with this book, I still intend to read book 2, Lord of Shadows, to see where all of this is going.
Back cover summary: “Varen Nethers is trapped in a perilous dreamworld—a treacherous and desolate realm where the terrifying stories of Edgar Allan Poe come to life. Isobel Lanley, plagued by strange visions and haunted by the nightmares of Varen’s creation, is the only one who can save him. Isobel knows that her only hope lies within a Baltimore cemetery. There, in the early morning of Edgar Allan Poe’s birthday, a mysterious stranger known as the “Poe Toaster” will make his annual homage at the legendary poet’s grave. Only the Poe Toaster holds the key to the way between worlds. But great dangers lie ahead for Isobel. An ancient evil, draped in veils of white, is watching, challenging her for Varen’s affections. When Isobel finally finds Varen, he is no longer the quiet and brooding boy who once captivated her, but a dark force, powerful and malevolent. Could Isobel’s greatest love also be her greatest adversary?”
For the most part, I liked this sequel to Creagh’s debut novel, Nevermore (read my review here)–maybe not as much, but I still liked it and enjoy the author’s writing style.
I think what might disappoint readers somewhat is the lack of Varen in this follow-up. Although the trilogy certainly covers other themes, the relationship between Isobel and Varen is the main focus of the first book, so I’m not sure if it was daring or misguided on Creagh’s part to lessen Varen’s presence in Enshadowed. It’s carried through in a different (and unexpected) way…I don’t want to say too much about it because it would likely spoil the book, but just wanted to warn readers that it might not be what they expect. (I think the official book summary is misleading in this way.)
Because of this, it felt like one of those books that, while well written, is very much a transitional installment and doesn’t stand very well on its own. I’m glad all three books are out because now I don’t have to wait to read the third one, haha, and hopefully the third book will wrap things up nicely since the author does leave you hanging and wanting more.
However, Enshadowed still has a lot going for it, which is why I’m giving it four stars. As a YA paranormal/horror book, it definitely has some creepy parts, particularly in the delightfully sinister character of Pinfeathers. Creagh also reverses a few popular tropes. By the end of Nevermore, we know that Varen is trapped in a dangerous dreamworld of his own creation, held captive there by the alluring but evil Lilith. In the sequel, it’s up to Isobel to find a way back to the dreamworld to rescue Varen, although the end result of this probably isn’t what you’d expect, either. Creagh addresses some of the unanswered questions left at the end of the first book, but leaves plenty of mysteries still waiting to be solved in book three. I enjoyed her paranormal spins on the Poe Toaster and Poe’s own murky past and demise.
All in all, I thought it was a good, if not an amazing, sequel, and I’m definitely interested to see where Kelly Creagh is going with all of this in the third and final book.
Back cover summary: “Cheerleader Isobel Lanley is horrified when she is paired with Varen Nethers for an English project, which is due—so unfair—on the day of the rival game. Cold and aloof, sardonic and sharp-tongued, Varen makes it clear he’d rather not have anything to do with her either. But when Isobel discovers strange writing in his journal, she can’t help but give this enigmatic boy with the piercing eyes another look.
Soon, Isobel finds herself making excuses to be with Varen. Steadily pulled away from her friends and her possessive boyfriend, Isobel ventures deeper and deeper into the dream world Varen has created through the pages of his notebook, a realm where the terrifying stories of Edgar Allan Poe come to life.
As her world begins to unravel around her, Isobel discovers that dreams, like words, hold more power than she ever imagined, and that the most frightening realities are those of the mind. Now she must find a way to reach Varen before he is consumed by the shadows of his own nightmares.”
I’ve been bad about writing reviews lately (well, bad about reading outside of work, period), but I absolutely have to tell fellow YA paranormal, horror, and romance fans about this book by Kelly Creagh. It’s the first in a trilogy, and, although it seems like she’s been enjoying some success, I don’t think nearly enough people know about this book. So I want to spread the word.
I really didn’t know what to expect when I got this book from the library last weekend. (As an aside, I checked out a new library–I LOVE libraries–but didn’t know where anything was yet so had to ask someone where the YA section was. The librarian started prattling on about the summer YA reading list, and I got the feeling they thought I was looking for some books for a kid or something. Nope, I’m just in my late 20s and still read young adult books…and if you’re one of the people playing Pokemon Go right now, you have no room to judge…)
Anyway, I recognized this book from Goodreads and decided to give it a go. I mean, the book summary sounded intriguing if a little predictable, and I wasn’t sure how the Edgar Allan Poe spin would play out, even though it seems like a unique twist for a YA book. Plus, Varen Nethers has to be the bestest character name ever. So, excited but not sure what to expect, I checked it out of the library.
And Ms. Creagh completely sucked me in.
I guess I’m so pleasantly surprised because Nevermore did not have to be this good. The cheerleader/goth “forbidden” high school romance that forms the premise is probably overdone, but Kelly Creagh writes it in such a way that feels fresh and not corny, for lack of a better word. (At least in my opinion). Nevermore opens with the main character, unlikely heroine Isobel Lanley, getting partnered with king of the goths Varen for an English class project. (They decide to do theirs on Poe, of course, Varen’s favorite writer.) Varen and Isobel butt heads for much of the first third of the book or so. She’s still hanging with the popular crowd and dating one of the football players (Brad), but when her “crew” starts to turn on Varen and Brad becomes disturbingly jealous of the fact she has to do this project with Varen, Isobel starts to see that maybe her so-called “friends” really aren’t that great. Throughout the course of the project, she finds herself more intrigued by Varen and drawn into his world, which turns out to be stranger and more twisted than she ever expected.
I thought the tension between Isobel and Varen was great, although it took them a little long to start discovering their feelings for each other for my taste. And, although Varen is your typical dark-and-broody anti-hero (as find out, he kind of has a good reason to be), he’s not mean to Isobel or so forgone that leaves you wondering why she would be interested in him in the first place. He’s somewhat sarcastic in the beginning, and at one point he tells her she’s “not his type,” but it’s more of a mutual dislike (Isobel’s not great to him in the beginning, either). Brad is the real creep. In general I just really liked the characters in this book. Isobel starts off as being the stereotypical, bubbly cheerleader but changes a lot throughout Nevermore. No matter what’s thrown her way, she never stops fighting. One of my other favorite characters was her locker neighbor/new best friend Gwen, who really pops off the page and is just hilarious.
All in all, I would say this is the perfect book for high school readers who enjoy paranormal, horror, and romance. And also for old people like me who also enjoy YA books. 😉 Seriously, though, it’s a pretty balanced mix of horror, humor, and romance. Not so scary as to make you leave a light on at night, but it definitely as some creepy parts. And I just really liked Creagh’s writing style. It’s a dark but beautiful debut novel.
Nevermore isn’t totally without some problems. It’s 500+ pages and, even though it’s still an easy read, I felt like it could have been a little shorter. Like I said, the romantic tension between Isobel and Varen takes a little too long to build up, and is pretty understated (there’s a desperate kiss at one point, but that’s pretty much it). Then again, it is a YA book, so that’s age-appropriate. (I’ll admit, I used to write more YA-oriented stories, but then transitioned to New Adult so that I could write sexier scenes, teehee). Also toward the beginning there’s a chapter broken up with some long passages from The Red Masque of Death as Isobel is reading through The Complete Works of EAP that really pulled me out of the story. I mean, gotta love Poe, but it was a little much. Luckily, it didn’t become a “thing” throughout the book. Otherwise, I really liked the Poe-inspired world she created in this book.
But, at the end of it all, I loved Nevermore and can’t wait to read the next two (Creagh leaves you hanging at the end of book 1). A well-deserved 5 stars!
Last night, I stayed up until two in the morning reading Feverborn, the latest installment of Karen Marie Moning’s bestselling Fever series. In typical Moning fashion, she really blew me away in the last 150 pages or so of the book, and I couldn’t put it down. That being said, I had some issues with the first part of the book. But I’ll get to those in a second.
I would say the “big picture” plot point in Feverborn, and this phase of the series in general, is repairing the damage that has been done to Earth since the walls came down. Small black holes (that are only getting bigger) have cropped up all over Dublin–including the one steadily growing towards the abbey–and the squad (Mac, Jada, Barrons, Ryodan, Christian, and Dancer) have figured out the reason and a theoretical remedy. So, part of Feverborn are these very different characters, with strong, and at many times clashing personalities, forming an unlikely alliance to save Earth. This is complicated by the fact that many outside characters and groups want one or the other of them dead for various reasons.
There are a few other interesting subplots interspersed throughout the book as well. We find out what happened to Dageus after Burned and a near-fatal mission to rescue his nephew, druid-turned-Unseelie prince Christian, who was being tortured by the creepy Crimson Hag. Mac’s past also comes back to haunt her, in more ways than one. We even get a few insights into what Cruce, the Unseelie prince trapped underneath the abbey, has been up to, and he’s starting to reemerge as the “big bad.”
That all being said, what Feverborn is really about is Mac and ice-cold Jada, formerly Mac’s energetic, impulsive bff, Dani. This was my favorite part of the book. Through Jada’s impersonal third-person narration, we learn bits and pieces of what happened to her while she was in the Silvers, and–although she never divulges everything–it’s enough to paint the bleak, heartbreaking picture. I actually have to say that, this time around, I enjoyed Jada’s plot thread considerably more than Mac’s. And I love how Moning has challenged their friendship, and the healing process for both of them that starts to take place in Feverborn.
I have to admit, though–and I hate saying this about one of my favorite authors–that the first half of the book was a bit of a mess. I felt like the book didn’t know what it itself was really about (Mac and Jada) until about the halfway point, maybe even further along. Moning often switches between points of view within books, and I usually admire her ability to do so effortlessly and convincingly. I never question whose head I’m in, and each plot thread typically stands well on its own while still advancing the overall plot.
But this style didn’t work for me as much in Feverborn. I have to agree with other reviews I’ve read saying that Mac’s part is basically a rehash of her old problems–issues I thought had been wrapped up by the end of Shadowfever. Also, the strain Moning placed on her and Barrons’s relationship in Burned seems to have completely evaporated now, and they’ve reverted to slamming their walls back up whenever they’re not having insanely hot sex (really, if Barrons can’t just call her Mac all the time at this point instead of Ms. Lane, fts). It’s like all of the progress they’ve made in their relationship throughout the course of the series has been unraveled for no reason.
Further, there are some random chapters written from Christian and Lor’s POVs for seemingly no reason. Okay, Christian’s sort of had a point (although it’s not carried throughout FB like in past books), but Lor’s didn’t give any significant insight into his or Jo’s characters and didn’t advance the plot. I guess it was sort of amusing, but it really should have served some other function than comic relief. I did, however, enjoy the parts with Cruce and Papa Roach, and I really hope Cruce is coming back as the major evil player in the next book (which I think is supposed to be the final, final book?).
By the way, I hate that I have to write this. As a writer myself, I know that criticism can be a good thing and very helpful, but I hate sounding overly critical or mean about a series and author that I love. I still think Karen is an excellent writer. I love the language she uses, the settings she creates–I can picture everything vividly in my mind, and I’m still highly invested in all of the characters. It’s just this book felt like a lot of filler material before the next book. (A lot of readers said that about Burned as well, although it didn’t feel that way to me for some reason. But this book did.)
The last fourth of the book really saved it for me, though. I wish the entire book had just focused on Mac and Jada and their friendship, because those parts were really touching. There are enough mysteries planted throughout FB that keep you hooked and plenty of twists and surprises–toward the end, they just kept coming. The battle at the abbey sort of works as a climax for the good guys/bad guys conflict in the book, but I think the real climax happens right after that, when you find out why Jada goes running back into the burning abbey. It just shows so much about what she must have went through in the Silvers and the person she has become now. Those parts actually brought tears to my eyes, they were so heartbreaking. I’m still intrigued to see where Moning is going with all of this and how she’ll tie up the loose ends she left at the end of FB.
So, in summary, while I felt like Feverborn had trouble finding its footing, the last part of the book saved it for me, and that’s why I’m giving it four stars. I will still probably pre-order the next book and binge read it when it comes.
There have only been a few authors in my life that have left me almost not able to function until their next book comes out. That I read it as soon as I get my hands on it. In high school and part of college, that author was J.K. Rowling. Now, in my adult life, I have Karen Marie Moning.
It was actually my mom who discovered the Fever series seven or so years ago. I think back then there were already three or four books out, so I didn’t have long to wait until the next installment. (Now, the wait is longer, harder, but still totally worth it.) I was immediately sucked in to the seedy underbelly of Ms. Moning’s Dublin, where the Unseelie lurk and dark forces are at work to bring the walls between our world and the Fae’s down. I crushed on Jericho Barrons, a sexy, enigmatic antihero equal parts elegant and wild. And I loved the fever world’s kick ass heroine, MacKayla (Mac) Lane, who, over the series, transforms from a blonde, pink Southern girl without a care in the world to a fierce Unseelie fighter and a protector of Dublin, the city she’s grown to love even though it took her twin sister, Alina.
The first five Fever books are primarily from Mac’s point-of-view. Fans of the series know that the last book, Iced, was Dani “Mega” O’Malley’s time to shine, with some insight into Christian MacKeltar’s life as he made the agonizing transformation from sexy, Highlander druid to insatiable Unseelie Prince, as well as Kat’s POV and life with the sidhe-seers at the abbey. I feel like not too many people were thrilled with a book that was told mostly from Dani’s POV, and, although perhaps not my favorite in the series–I think that honor still goes to Shadowfever–I enjoyed Iced, and Dani’s story was definitely one that needed to be told.
In Burned, “Mac is back,” as it quotes on the front cover–and I think Ms. Moning’s got her groove back. The book was fun, sexy, packed with action and suspense, and I couldn’t put it down. Well, somehow I managed to for a few hours to get some shut-eye, but this morning I was right back reading, and I finished it within the day. Like I said, not many books have sucked me in quite like the Fever and Highlander series have. I devoured it, and when it was over I was in some sort of book haze/coma, wanting more but knowing that more probably won’t come for another year, maybe longer.
I’m not sure what to even say about this book–like Shadowfever, there are so many twists in it–and so many inklings of things to come–I’m not sure I can talk about it without accidentally giving something away. I can say, though, that it centers mostly around Mac and Dani’s relationship, which–if you’ve read the series–you know was tried when Mac found out Dani, of all people, was the one who killed her dear twin sister, Alina. (You find out even more about the circumstances surrounding this in Burned.) Mac and Jericho’s relationship, which was sort of wrapped up nicely enough at the end of Shadowfever (I will always remember the quote, “I will always be priya for this man.”), is also tested in this latest installment.
Although most of the story is told from Mac’s POV, we get glimpses of Barrons at the very beginning, the Unseelie king, Christian as he’s being tortured by the Crimson Hag, Kat as she struggles to maintain leadership of the sidhe-seers at the abbey, and even Lor. (I have to admit, out of all the POVs, I think I enjoyed Lor’s the least, although I guess he was kind of amusing. I just didn’t find it very convincing–it was a little too much for me, although he and his budding love interest were sort of cute towards the end.) We also get glimpses of a new, ultra kick ass assassin, Jada–who, even though her dialogue is reminiscent of Seven of Nine’s in Star Trek: Voyager (everything is inefficient), she turns out to be oh so important. The transitions between the first (and third) person POVs works well for the book and, even though Ms. Moning conveniently labels each chapter with the character’s name, the styles are different enough that I think you’d be able to tell them apart, anyway–something I hope I can master.
There are also some very old friends in this book–namely, twins Drustan and Dageus MacKeltar from the Highlander series. They’re pivotal to the mission to save Christian from the clutches of the Crimson Hag. New troubles are also brewing in post-apocalyptic Dublin–problems even the Unseelie king may not be able to fix (and it’s questionable whether he even wants to). Although some issues leftover from Iced are resolved, and Mac comes to term with some demons from her past, there are still lots of loose ends at the end of Burned and a slight cliffhanger, which will leave you yearning for the next book.
This book got me right in the feels, and I know I won’t be able to shake it all week. I even called my mom to fangirl about it…which, in retrospect, was kind of mean because she won’t read it until I bring my copy home with me, lol. If you’re a fellow Moning Maniac, I know you will love Burned. If you haven’t read the Fever series–do it. Immediately. And the Highlander series, too–or at least the Immortal Highlander.
Only two more weeks until Relapse comes out…..eek!!!!! Why did I decide to release it right after Thanksgiving again? Oh, right, because I love you guys, and I want you to have something to read over winter break. 😉
Before we go on with today’s post, I thought I’d mention I got a little (very, very little) writing done this weekend…335 words, to be exact. I’m working on a novella from Anna’s POV. The novella takes place somewhat parallel to the events in Reborn. I don’t know if I’ll do anything with it, or if it will become part of the next book. I’m mainly doing it to find her voice and flesh out her back story, since I want to incorporate more from her POV in future books.
But, anyway, that’s not what today’s post is about. I want to talk about influences: the authors, themes, and types of characters I’ve become obsessed with over the years. This may turn into a two-part post…we shall see…
1. Mischief and Mayhem
As a reader and writer, I’ve always been intrigued by the idea that there could be these otherworldly, always mischievous (and often malevolent) beings sort of lurking in the background, in worlds adjacent to our own, influencing it in ways we don’t realize. (Or sometimes, as they do in Reborn, they get very mixed up in our world.) It’s a totally freaky, even creepy idea–one I think is so much fun to explore in fiction, but nothing I actually believe in real life. When I was first playing around with the story that would eventually become Reborn, this is the concept I knew I wanted to capture. I wanted my supernatural beings to be volatile, mischievous, and manipulative–characteristics often embodied by The Fair Folk. I’m talking about the devious Fair Folk of Irish lore, or like Puck et al in A Midsummer Night’s Dream, not the Disney fairies like Tinker Bell, lol. To be quite honest, I don’t know a lot about Irish folklore besides what I’ve seen other authors use–and they’ve incorporated it quite well already into works of fiction, so I wanted to do something a little different.
I think Karen Marie Moning’s Fae are the best–but, as she is my favorite author, I’m probably biased. In Moning’s Highlander and Fever series, the Fae are arrogant, devious, and lethally seductive. Back in the day, I wrote a book review of The Immortal Highlander–my absolute favorite of her Highlander romance novels. Immortal’s antihero, Adam Black, is a good example of this type of character, although he’s not mischievous in a cruel way. The Seelie Queen places a curse on Adam that strips him of his immortality and makes him invisible. His is a hopeless case until he meets Gabby, a sidhe-seer–gifted with seeing beyond the glamour used by the Fae, and the only one who can see Adam. Since Gabby seems to be his only hope, Adam ingratiates himself into Gabby’s life and eventually convinces her to help him. It’s been awhile since I’ve read this book, but I remember Adam perched on Gabby’s desk at her law firm while she tried to get work done, nagging her. Obviously, that kind of behavior would be super creepy and annoying in real life, but the love-hate dynamic between Adam and Gabby made for a very entertaining book. It didn’t help that Adam’s glamour was that of a sexy Scottish Highlander, making it almost impossible for Gabby to resist him.
Moning went on to write the Fever series–a sexy urban fantasy series in which the walls between our world and that of the Fae become even thinner. The Immortal Highlander isn’t an official prequel to the Fever series, but it’s definitely where her books about time-traveling, sexy Scottish Highlanders start to get much darker, and it sets up the conflict for her later books. I think the Fever series was a pretty daring one–primarily, I’d call it an urban fantasy, but Moning combines elements of a bunch of different genres and just makes it work so well (mystery, sci-fi, romance, and they’re funny as hell). I’d say for marketing purposes, it’s a good strategy to choose one or maybe two genres that your work fits into, but her books have taught me that it’s okay to push the limits of a genre and mix things up a bit.
A very much related type of character is:
2. The Trickster
The Trickster is, according to TV Tropes, which I can’t stop reading lately, a type of character that “plays tricks or otherwise disobeys normal rules and conventional behavior.” This is definitely related to what I’ve described above, but I’m separating them out. We can depict these qualities in an entire race, like the Fair Folk (or the Olympians…), or in an individual character (whose peers may or may not embody these traits). I prefer the darker, more anti-hero-ish tricksters who use outright manipulation and deception to get what they want, without (much) remorse. They also pretty much pop in and out of places and situations as they like without a whole lot of consideration for rules or puny humans other people. Recent examples include Rumpelstiltskin on ABC’s Once Upon A Time and Loki in the Thor franchise. Another classic example (teehee) is Jareth from Labyrinth.
One of my other favorite trickster types is Julian from L.J. Smith’s The Forbidden Game. I’ve most definitely fan-girled over this trilogy before on this blog, but it’s one of my all-time favs. One of my friends introduced me to L.J. Smith back in freshman year or so of high school, and my life was changed, forever. (Dramatic much?) These books were already ten years old or so when I originally read them, and now…yes, I just confirmed on Wikipedia, The Forbidden Game is twenty years old. Aaaaaand now I officially feel old.
Anyway, I reread them this summer (they were first published as separate books, but since they’re short, they’re published now in an omnibus edition), and…they were still good. Sure, they’re written at about a middle school reading level, and, since they are so short, I noticed some of the repetition. Smith is a fan of the epithet, which, in a longer book, may help you remember each character–but, in a shorter book, it gets repetitive. Even so, there’s just something about Smith’s writing I’ve always loved. It almost has a beat to it–like poetry.
The Forbidden Game is an urban fantasy trilogy with a tiny blonde-haired, green-eyed protagonist named Jenny Thornton. Jenny starts out as an innocent, naive girl still dependent on her childhood sweetheart, Tom. (I mean, Tom’s nickname for her is Thorny. You don’t get any more disgustingly cute than that.) There’s mystery and magic from the start of Book One, The Hunter, when Jenny, who is being followed by two delinquent-types, takes refuge in a strange store called “More Games.” She buys a game in a plain white box, simply called “The Game,” from the even stranger boy running the shop. Of course, with his white-blonde hair and otherworldly blue eyes, he’s über attractive–and, despite his seeming indifference towards her, Jenny feels a strange connection to him.
That night, Jenny, Tom, and the rest of their friends start to play The Game, setting up a paper house and drawing their worst nightmares on sheets of paper. The next thing they know, they’re inside the paper mansion, transported there by the cyberpunk boy from the More Games store. His name is Julian, and he’s the youngest of an ancient race called The Shadow Men. In order to win Julian’s twisted game, Jenny and her friends must confront their worst fears–and, if they lose The Game, they lose their lives. Julian is a predator and master of manipulation (and very Jareth-esque). Of course, as the series goes on, you find out that Julian maybe isn’t the ultimate big bad he claims to be.
The Forbidden Game includes one of L.J. Smith’s favorite themes (and, okay, one of mine): the love triangle. Ms. Smith’s love triangle is usually set up as the relatively innocent girl caught between the good guy/hero type and the seemingly bad boy/antihero. In this case, Jenny’s good guy is Tom, and Jenny’s bad boy is Julian. Jenny knows that sweet and caring Tom is the guy for her, but she can’t help but be tempted by Julian’s beauty and charisma. These books are also about obsessive love: Julian is obsessed with Jenny and will do anything to have her.
Which brings us to one of my other favorite topics, and the final one for tonight:
3. Forbidden Desires
Two of my favorite themes in fiction are sin and temptation (well, what is perceived to be sinful by that character). Often, this takes the form of fairly-innocent-girl-gets-tempted-by-dark-sexy-mysterious-man’s-dark-world-of-…..darkness…..okay, I’m becoming less and less articulate as this post goes on, but you get the gist. 😉 Let’s just call it forbidden love/lust. This theme probably at least in part stems from the idea of sex as a sinful or evil act–perhaps a very Western/Christian notion. In some of these stories, the innocent heroine, initially intrigued by the sexy, devilish antihero, ultimately resists temptation and does the “right” thing. Going further with this interpretation, maybe it has something to do with the antiquated notion that women retain their virtue and innocence for as long as possible. And, even though I don’t agree with that, it’s a fun theme to explore in fiction. This is probably why Nathaniel Hawthorne, who was big on writing about sin, temptation, and the hypocrisy of the Puritans, remains one of my favorite classical authors.
Like I said, The Forbidden Game is the perfect example of this. Throughout the series, Jenny has to battle against her attraction to Julian in order to do the right thing and save her friends. But Julian’s influence on her isn’t all bad: Jenny transforms from the innocent girl who still relies on her boyfriend for everything into a more independent and confident young woman who thinks for herself. This theme of the allure of darkness is also a major theme in the musical The Phantom of the Opera. And in a certain 80s children’s fantasy movie.
With the relatively recent explosion in popularly of paranormal romance and other darker forms of romance and fantasy, the above types of characters and themes are fairly common right now–although not every author approaches them in quite the same way. These otherworldly characters, whether they’re the Fae, gods, fallen angels, vampires, etc., may be charming and alluring, but they’re also cunning, dangerous, predatory, and don’t play by our (human) rules. Of late, they’re also typically inhumanly beautiful, which further emphasizes their almost irresistible pull and maybe plays a little bit into the notion that not everything attractive is good for you.
When I think of what a paranormal romance is–just what exactly the genre encompasses–these types of characters and themes are what come to my mind. I think everybody is a little bit different with regards to this. Although many paranormal romances still have that major, initial element of forbidden love, some authors go on to develop a story that is a little more traditionally romantic/lovey dovey, and it’s this type of story a lot of readers are used to now. Since I’ve been marketing Reborn as a paranormal romance, I think a few people have been confused by how I chose to approach Siobhan and Jasper’s relationship. It’s not traditionally romantic–it’s passionate and intense, but also a roller-coaster ride, and even a bit scary at times. That’s because the, er, “classic” paranormal romances, like L.J. Smith’s work, combine themes from the romance and horror genres. I’m not even sure “romance” is the right word, except that it captures the passionate relationship between the two lead characters. But these stories are also about temptation, forbidden desires, obsessive “love,” good and evil, dominance and submission, predator and prey. The settings are dark, mysterious, and sinister–as are some of the characters.
If you’ve read Reborn, you may see now how the above ideas have influenced it. My Olympians are, for the most part, volatile, capricious, mischievous, and manipulative. And even the ones that aren’t completely devious have a dark side (as the tagline for Relapse says, everybody has one…although perhaps not quite to the extent that my characters do, lol). Siobhan isn’t completely innocent in the conventional sense, but she’s a bit of a small-town girl thrown, thanks to Jasper, into the darker, alluring world of the Olympians. Jasper is her forbidden fruit–Siobhan knows he’s dangerous, but is tempted all the same (and Jasper will go to any lengths to keep her). And, unlike the strong, “virtuous” ladies described above, Siobhan isn’t as good at resisting temptation. In Relapse, Siobhan’s struggle against this forbidden world is taken to a new level as she begins to realize she’s more like the manipulative, control-freak Olympians than she thought. As a final tease, you’ll also meet a new character in Relapse–a sexy, silly, trickster-type like Jareth or Julian. I’m excited for you to meet him. 😉
Clockwork Angel is the first book in Cassandra Clare’s The Infernal Devices trilogy. I love Ms. Clare’s The Mortal Instruments series (City of Heavenly Fire is sitting on my bookcase, waiting patiently for me to read it…but it looks sort of daunting…), and it took me awhile to get around to starting The Infernal Devices…but I am oh so glad I did. For me, it was a five-star read. In my opinion, the back cover book summary does not do this book justice. It makes it sound like it’s only about a love triangle–which, for better or for worse, there is a love triangle in this book. That device has sort of exploded along with YA lit in recent years. But anyway, there is so much more going on in this book than that, and I fell in love with all of the characters.
Our heroine, Teresa (Tessa) Gray, comes over to London from the States when she gets a note from her brother, Nathaniel, who moved there for work. Unfortunately, in London she falls into the clutches of the Dark Sisters. They force her to practice her unique ability–with the touch of a personal item, Tessa can shape shift into the person it belongs to–a power she didn’t even know she had until now. If she doesn’t do as the Dark Sisters say, they threaten to hurt Nate. Things are looking pretty grim when they inform Tessa that she is ready to marry the mysterious, powerful Magister. Thankfully, a group of Shadowhunters break into the Dark House and rescue Tessa on what would probably have been her wedding day.
Tessa becomes a guest at the London Institute, run by Charlotte and Henry Branwell and home to three orphans: Jessamine Lovelace, James (Jem) Carstairs, and Will Herondale. She learns about the Nephilim, the world of the Shadowhunters, and the Downworld of vampires, werewolves, faeries and warlocks–the world she herself is a part of. Much of the book is Tessa learning to accept this knowledge, and to accept herself and her ability. There’s also a lot of great action, suspense, and yes, romantic tension, as well as an unexpected twist toward the end.
I loved all of the characters in this book. Cassandra Clare does a magnificent job of weaving together the world of the Shadowhunters with Victorian England. Charlotte, who is truly in charge at the Institute, struggles to make her voice and opinion heard at the Enclave meetings mostly dominated by men. Henry, on the other hand, is too busy tinkering with inventions to run much of anything. I loved Henry–he was the eccentric scientist/inventor whose inventions never quite worked the way they were supposed to. These two worlds also conflict in the character of Jessamine. She’s an aspiring proper Victorian lady who claims to reject her calling as a Shadowhunter, but she’s kind of a bad ass when duty calls. Her parasol turns into a weapon (that was a nice touch).
And then there’s Will and Jem–parabatai, like Jace and Alec are in TMI. There’s a bit of mystery surrounding each of them; both seem to harbor dark secrets, especially Will. Tessa finds herself drawn to each of them, of course. Jem is kind and brave, but unfortunately suffers from a mystery illness that makes it difficult for him to fight. And Will…..well, Will is the gorgeous, dark-haired, arrogant, sarcastic, broody one who lashes out at people because he’s compensating for his inner turmoil/vulnerability–so, naturally, he’s my favorite. Sorry not sorry. You get to find out Jem’s secret in Clockwork Angel, but Will’s past and why he’s so broody and angry is still shrouded in mystery at the end of the book, which was REALLY frustrating, and made me want to read the next two immediately, except I don’t have them yet. I mean…Will’s not the only reason I want to keep reading, but I won’t pretend like he’s not one of the reasons. Oh, Cassandra Clare, why must you do this to me?
Clockwork Angel also had an awesome ending. Besides the twist, Tessa learns to at least partly accept her unique ability and uses it in a really incredible way. I much prefer when the main character outwits his or her opponent rather than killing them or something. I mean, if the villain was dead after the first book, it probably wouldn’t have been a trilogy, but I just think it makes for a more creative resolution. Tessa is a strong female lead, and I’m excited to see how she grows in the series.
Last but not least, I’m so glad Magnus Bane is immortal, so that he can be in ALL of Cassandra Clare’s books. He was only around a little bit in this book, but the ending hints that he might have a bigger presence in Clockwork Prince. I hope. He better.
I haven’t done a book review on here for a while, and I have quite a few to get caught up on. I read the first two books in Becca Fitzpatrick’s Hush, Hush series back in May, and finally got around to reading the third and fourth book this August. I decided to just review all of them briefly in one post. Overall, I really enjoyed them, although unfortunately the last installment didn’t quite pull me in like the others did.
I actually became curious about the series because of a few bad reviews I saw about it. Well, “bad” is probably putting it lightly…”scathing” is more like it. And they had less to do with Ms. Fitzpatrick’s writing style/plot/characters and more to do with her main male character, Patch, her quintessential reformed (or is he?) bad boy character, because, you know, it’s impossible to enjoy a character in a book/TV show/movie while recognizing their less desirable qualities wouldn’t make for a good partner in real life. (That’s sarcasm, by the way.) And, although they’re in the minority, she’s also gotten some bad reviews on Goodreads…and this time, by “bad,” I mean actually just pretty horrible and inappropriate. Basically just bullying. I mean, it’s the Internet, so they could be trolls…but if they’re not, there’s really no good excuse for bullying anyone, ever, no matter how justified you think your cause is. (I know by now you’re probably wondering what the heck I’m talking about, so go on Goodreads and take a look for yourself.)
A little more about this at the end of the post. For now, let’s take a quick look at each of the books:
1. Hush, Hush
I thought this was a great debut novel, and I thoroughly enjoyed Ms. Fitzpatrick’s writing style. She sets the story in the slightly dreary Coldwater, Maine, and creates this perfectly sinister, creepy, Halloween-ish atmosphere. It was reminiscent of L.J. Smith’s earlier work (although, in my mind, few people–if anyone–can trump L.J.). Yes, at this point the plot-line is somewhat overdone and predictable, but I gobbled it up just the same: Nora Grey, a smart, cute-if-something-of-a-misfit high school student, encounters Patch, dark, mysterious boy who seems like bad news, and yet Nora can’t resist his magnetic pull (obviously). I know I sound snarky, but I honestly devoured it. The book is mostly centered around unraveling the mystery that is Patch and his relationship with Nora.
Some have criticized the book as being a Twilight ripoff. There are some parallels, but nothing that jumped out at me as obvious plagiarism. I mean, to give credit where credit’s due, Twilight did open up the market for teen paranormal romance, so there are going to be some similarities. But it is also quite possible for two or more people to come up with fairly similar ideas without being influenced directly by each other’s work.
The books are told from Nora’s point-of-view, and I really liked her character. She’s a smart, motivated high school student. Her best friend, Vee, adds some comic relief to the series and is my favorite character. Nora is also the victim of some pretty vicious pranks by Coldwater’s resident mean rich girl, Marcie Millar. I enjoyed most of the characters, even though secondary ones like Vee and Marcie never seem to break out of their stereotypes. (Marcie starts to, a little, later in the series.)
In fact, I have to say the only character I found to be a little underwhelming was…Patch. For being the dark, mysterious, sexy bad boy, he didn’t really pop off the page for me as much as he should. Also, I never could quite get past his nickname. Patch is just not a sexy nickname, in my opinion. It makes me think of an old pirate with missing teeth or a little kid who gets into a lot of mischief and ends up hurting himself.
But, overall, an entertaining read. I gave it four/five stars on Goodreads because it built up a lot to a twist at the end that wasn’t that earth-shattering. (There is, however, a perfectly creepy seen at Delphic amusement park and a particular ride called the Archangel…I LOVE creepy amusement parks in horror/paranormal books!!!)
If you haven’t read Hush, Hush yet and plan to, I’d stop reading now…spoilers ahead…
In Crescendo, we delve a little further into Ms. Fitzpatrick’s dark world of sexy fallen angels and the cursed Nephilim–the children of fallen angels and humans, languishing in between these two worlds and destined to swear fealty to fallen angels. We know that Patch was a fallen angel in Hush, Hush, but, due to the events at the end, now has his wings back and is a guardian angel. But his relationship with Nora isn’t picture perfect, and she catches him doing some pretty suspicious things…like hanging around her arch-nemesis Marcie an awful lot. It doesn’t help that Vee is dating Rixon, Patch’s bff, so Nora can’t quite avoid Patch/people-that-know-Patch completely. Meanwhile, her mother forces her to reconnect with a childhood friend, Scott, who turns out to have some dark secrets of his own. Rixon, though, was my favorite character in this book until…..oh, Rixon…..
From what I recall, this book ended with a cliffhanger, so be prepared for that.
I enjoyed Silence a lot more than I expected I would considering what happens in the first few pages. Which, thankfully, I can tell you about, since it’s in the book’s synopsis and not a spoiler! Nora can’t remember the past five months of her life…including, of course, Patch. So, yes, part of the book ends up being a series of revelations that the reader already knows. This could have ended up super annoying, but I think Fitzpatrick did an excellent job with it…at least for me, I could see where it might bug some readers. I also enjoyed Patch’s character a lot more in this book, and there were some pretty sexy scenes.
I also gave this book four/five stars, and I did have a few issues with it. First off, what happens to Vee in this book, and especially in the last book? Isn’t she Nora’s bff? Where did she go? It’s like she just disappears for large chunks of books three and four. Since I liked her so much, this was really upsetting. Also, Fitzpatrick seems like she’s setting up a whole Scott-Nora-Patch love triangle…not that I necessarily wanted that to happen, because that’s overdone, too, but it definitely seemed headed in that direction, and then it just…doesn’t. (And then you find out in book four that Scott thinks of Nora like a sister? Um, his affection for her in Silence definitely does not seem brotherly.) There’s also a lot of to-do about Nora and Scott going “as friends” to her homecoming dance–Marcie drags Nora out shopping for a dress, and they make a really big deal about finding a dress, and then–the dance doesn’t happen. The book ends before the dance happens. I found this to just be really strange and kind of sloppy. But I’m still giving it four stars for having a nice blend of sinister, romantic, steamy and funny moments. And Scott, who was kind of a jerk in Crescendo, really redeems himself in this book.
I gave this book three out of five stars because I finished it, but honestly, it was a really disappointing end to the series for me. It had its moments, including some surprising twists at the end with both new and old characters. But all in all, my least favorite in the series. I guess I prefer the off-and-on again of fictional relationships because, when Patch and Nora finally end up together, it’s just…annoying, haha. Their romantic dialogue was a little too contrived or something. It doesn’t all come easy for them in this book–they still have some barriers to overcome, including Nora’s attraction to her own dark side. That could have been a really good, gritty plotline (and something I’m exploring with one of my own characters right now), but it fell short for me. I think because Nora feels too guilty about it, haha. Fitzgerald should have pushed her just a teensy bit more.
I will say, though, that Nora turns into a pretty bad ass character. She has to accept a new leadership role in this book and embrace her Nephilim side, so I liked seeing her character develop in these ways.
In summary, it’s a series I would recommend to fans of YA horror/paranormal romance (except for maybe Finale).
And now, to wrap up this review, I’m going to put in my two-cents about the scathing reviews I alluded to above. There are some people who think that the popularity of YA paranormal romance is a reflection of our current culture…and not the nice parts. Now, I get that the books/TV shows/movies of a time period can say a lot about a culture, although I also think part of it is just paranormal romance happens to be one of the “hot” trends right now in book publishing. Its popularity will wax and wane just like everything else, until something new replaces it. That doesn’t mean authors will stop writing in the genre, or that readers will stop reading…just that it won’t be quite the sensation it is now.
That being said, there have always been books that have sought to appeal to our darker side…books that mix elements of the horror genre with elements of romance. I really think that the current YA horror/paranormal romance genre is inspired by (not saying they’re on the same level as) the gothic and dark romanticism movements of long ago–writers like Poe, Hawthorne, Shelley, Lord Byron, the Bronte sisters, Stoker. Writers that explored fringe/outcast characters, antiheroes, and darker themes like the origin of sin, temptation, lust, forbidden love etc. Work that sometimes had a romantic twist to it, albeit a dark one. The idea of darkness being attracted to light, of sin to innocence (like Patch to Nora), is nothing new, and the mere exploring of this theme in writing or some other media is not the same thing as endorsement. So you really don’t have to read the series that way. It’s a forbidden love story…it’s dark and twisted. It’s supposed to be.
I’ve totally been putting off writing this review. Mostly because, after thoroughly enjoying City of Glass, City of Fallen Angels…well, it kind of sucked. So I’m not even sure I’ll have much to say about it, but here we go anyway:
This review is spoiler-free, but if you haven’t read the first three books in Cassandra Clare’s TheMortal Instruments series yet, do NOT read this review. Instead, check out my past reviews here.
You can find City of Fallen Angels on Amazon here.
The Amazon book description:
“The Mortal War is over, and sixteen-year-old Clary Fray is back home in New York, excited about all the possibilities before her. She’s training to become a Shadowhunter and to use her unique power. Her mother is getting married to the love of her life. Downworlders and Shadowhunters are at peace at last. And—most importantly of all—she can finally call Jace her boyfriend. But nothing comes without a price. Someone is murdering Shadowhunters, provoking tensions between Downworlders and Shadowhunters that could lead to a second, bloody war. Clary’s best friend, Simon, can’t help her—his mother just found out that he’s a vampire, and now he’s homeless. When Jace begins to pull away from her without explaining why, Clary is forced to delve into the heart of a mystery whose solution reveals her worst nightmare: she herself has set in motion a terrible chain of events that could lead to her losing everything she loves. Even Jace.”
Now, it’s not that CoFA has absolutely nothing going for it. Clare introduces some fun new characters, including a pretty sinister villain. And I can understand her reasons for writing this book. What comes after happily-ever-after isn’t always very happy, especially considering the loose ends she left in Glass. In theory, I like this idea of being realistic when it comes to what happens after the big battle has been won, but I’d say the execution was poor. I’m not going to tell you not to read it. If you’re like me and you’ve read and enjoyed the first three, your OCD will compel you to finish out the series, no matter what. And I’ve heard that Book 5, City of Lost Souls, is pretty good. (I believe there’s also a Book 6 coming out at some point.)
To be honest, CoFA was really just depressing, and many of the characters I’ve come to love, to really be invested in, started to annoy me. Now, when you’re reading YA, you have to expect some teenage angst. That’s fine. But seriously, CoFA chronicles several characters “emo”-phases and had so much angst I could barely get through it. I expect it from Alec; he’s always been the most brooding character anyway. Even Jace can be pretty moody, but Clare just takes it to a whole new level in this book. In addition, Simon goes all emo on us as well.
The thing is: Jace and Simon both have understandable reasons for acting this way. Simon has to contend with his secret life as a vampire and how is mother will react to it as well as the after-effects of the Mark of Cain. The only father Jace feels like he ever knew has died, leaving him with some very confusing thoughts over where he comes from and who he really is most like: the Lightwoods, his real father Herondale, or Valentine Morgenstern. But it was really hard to get through the pages and pages of Simon and Jace whining, whining, whining. It was just too much. I was like, someone has to remind them that there are children starving in the world and to get over themselves.
Magnus and Alec also go through some stuff, but for some reason this plotline annoyed me a lot less. Although I think it’s a little age inappropriate -not for people my age reading the book, of course, but for the series’ intended YA audience. I think it’s great that Clare includes a bisexual and a gay character, but Mangus having pretty much slept with everyone ever is a little much in my opinion. It totally makes sense because he’s a gazillion years old or whatever, but I just don’t think that’s really age appropriate. Also, Alec and Magnus probably should have had this discussion a while ago, haha. Nevertheless, Alec’s reaction was very justified, and it’s what the reader expects from him, anyway: He gets defensive, angry, and shuts himself off.
And you know what? That’s pretty much all I can remember from this book. It really didn’t have much of an impact on me. Clary is in the book, but to be honest, I can’t even tell you what she did besides starting her training as a Shadowhunter and worrying about Jace. Her character takes a backseat in CoFA. Instead we’re treated to Simon and Jace feeling sorry for themselves. (By the way, I love Simon. I just don’t like the turn his character took in this book.)
As a final thought: I didn’t like the very end of the book, either, and not because it’s a cliffhanger; I am totally okay with those. But it didn’t really feel like a cliffhanger. It felt Clare got bored writing or something and just decided to end it there; it felt like the book just wasn’t done. It’s very much a transition book in that way; an awkward in-between book trying to take us into the next phase. Like I said: I’m not going to tell you not to read it. I’m just going to say you may be disappointed. I really hope City of Lost Souls redeems this series for me.