Love Triangles


Hello dearies, and happy 2021! It’s been a strange year, to say the least, but I wish you all health and happiness in this new year! I spent my holiday vacation binging (bingeing?) season 2 of The Mandalorian with hubby (SO AMAZINGLY GOOD) and starting season 3 of my current guilty pleasure, Hannibal. (Very Christmas-y, I know.)

But, anyway, this post isn’t about any of that (even though this blog will be converting to a Mads Mikkelsen stan account very shortly…). The last book I read for 2020 has got me thinking about love triangles.

Now, some people really hate love triangles. I’m not in that camp – occasionally, I love a good, ol’ fashioned love triangle, especially if it’s done well, or if there’s a twist on it. There was one in the first two books of my Reborn series (Siobhan/Jasper/Jimmy), although I think my novella Rectify put a nail in that coffin. I realized there was a rather accidental one after I finished writing the third book, but I also put a twist on this in the next installment, Retribution. 😉 Sorry for the book plug, but I couldn’t resist…

The reason I’m thinking love triangles today, though, is because the book I just read did one…poorly. And I’ve been pondering why it didn’t work for me.

The book is Finale, the third book in Stephanie Garber’s Caraval series. Now, I’m definitely not here to bash this series. I enjoyed the first two books, and I generally liked the magical, whimsical world of games and deception Ms. Garber created. But in the second and third books, there was a love triangle between one of the main heroines, Donatella (Tella) Dragna, Legend (the gamemaster of Caraval), and Jacks/the Prince of Hearts (one of the Fates, the major supernatural/god-like race in the series).

Now, Legend and Jacks are both villainous types in these books. And it’s potentially interesting for the heroine to be caught between two villains (as long as she’s not merely their pawn). But it fell really flat for me, to the point where I was wondering…what is the point? Jacks is kind of a vivid, intriguing character, but why is he here? Why does this love triangle even exist? Even as a villain (or antihero), it would work if he serves as a foil to Legend, or gives Tella something Legend can’t. But most of the time, he’s just kind of there, being cruel and capricious, and Tella seems attracted to him for no reason. Legend goes through more of a character change than Jacks, but even that didn’t have as hard of a punch as it should have.

So, what does make a good love triangle? This example might show my, ahem, age, but I always liked the way L.J. Smith approached them in her novels back in the day. I still think and talk about her books…a lot (Exhibit A). Lol. They’re like thirty years old. It’s fine. But in her books, there was always a light-darkness theme going on with the love triangles her heroines found themselves in. In The Forbidden Game trilogy, Jenny was in love with Tom, her high school sweetheart, who represented light and safety to her. But the part of her that’s growing up, and possibly growing out of Tom, is intrigued by the danger and mystery trickster god Julian offers, despite his darkness. The books aren’t even that long, but Ms. Smith manages to show how Tom isn’t always the safety net Jenny has come to depend on, and how Julian isn’t all that he seems, either. They both offer her something she wants, even if those sides of her are in conflict.

For this next section, if you don’t want spoilers for The Infernal Devices, Splintered, or A Court of Thorns and Roses series, I would stop reading…right about…now.

The other twist on YA love triangles that seems to have become popular in recent years is that…it’s quite possible…to love more than one person during your life? I know it seems crazy, but it’s true! All kidding aside, I think this is an important message for teen audiences. And it makes for a better story! In Cassandra Clare’s The Infernal Devices trilogy, Tessa marries Will, and they have a very happy life together. But as he’s a shadowhunter and she has demon blood, she outlives him. Long after he’s gone, she reunites with Jem, the other love of her life. There’s a similar theme in A.G. Howard’s Alice in Wonderland-inspired trilogy, Splintered.

I’ve just decided I don’t want to spoil Sarah J. Maas’s ACOTAR series, but if you want to read a trilogy where all of your expectations after reading the first book are completely upended, in the best way possible, READ THESE BOOKS. IMMEDIATELY. Books don’t have to have a message, but I think this series does. It’s an important one and not incorporated in a “preach-y” way or anything like that.

I guess if this post has any sort of conclusion or advice, and isn’t simply me rambling, it’s this. Love triangles can be fun! They don’t have to be super complex or convey some sort of message, but each love interest should offer the central character something he or she wants – or fulfill them in some way – the other person can’t, emotionally or otherwise. It will be more interesting if each of the three characters has very clear internal and external motivations, especially if they come into conflict (and beyond just the fact you have two people fighting over the same person). Or, you know, they should at least be different in some way, and not basically the same person, lol.

Any thoughts about love triangles? I would love to hear them below!

Book Review: Clockwork Angel


Clockwork Angel is the first book in Cassandra Clare’s The Infernal Devices trilogy. I love Ms. Clare’s The Mortal Instruments series (City of Heavenly Fire is sitting on my bookcase, waiting patiently for me to read it…but it looks sort of daunting…), and it took me awhile to get around to starting The Infernal Devices…but I am oh so glad I did. For me, it was a five-star read. In my opinion, the back cover book summary does not do this book justice. It makes it sound like it’s only about a love triangle–which, for better or for worse, there is a love triangle in this book. That device has sort of exploded along with YA lit in recent years. But anyway, there is so much more going on in this book than that, and I fell in love with all of the characters.

Our heroine, Teresa (Tessa) Gray, comes over to London from the States when she gets a note from her brother, Nathaniel, who moved there for work. Unfortunately, in London she falls into the clutches of the Dark Sisters. They force her to practice her unique ability–with the touch of a personal item, Tessa can shape shift into the person it belongs to–a power she didn’t even know she had until now. If she doesn’t do as the Dark Sisters say, they threaten to hurt Nate. Things are looking pretty grim when they inform Tessa that she is ready to marry the mysterious, powerful Magister. Thankfully, a group of Shadowhunters break into the Dark House and rescue Tessa on what would probably have been her wedding day.

Tessa becomes a guest at the London Institute, run by Charlotte and Henry Branwell and home to three orphans: Jessamine Lovelace, James (Jem) Carstairs, and Will Herondale. She learns about the Nephilim, the world of the Shadowhunters, and the Downworld of vampires, werewolves, faeries and warlocks–the world she herself is a part of. Much of the book is Tessa learning to accept this knowledge, and to accept herself and her ability. There’s also a lot of great action, suspense, and yes, romantic tension, as well as an unexpected twist toward the end.

I loved all of the characters in this book. Cassandra Clare does a magnificent job of weaving together the world of the Shadowhunters with Victorian England. Charlotte, who is truly in charge at the Institute, struggles to make her voice and opinion heard at the Enclave meetings mostly dominated by men. Henry, on the other hand, is too busy tinkering with inventions to run much of anything. I loved Henry–he was the eccentric scientist/inventor whose inventions never quite worked the way they were supposed to. These two worlds also conflict in the character of Jessamine. She’s an aspiring proper Victorian lady who claims to reject her calling as a Shadowhunter, but she’s kind of a bad ass when duty calls. Her parasol turns into a weapon (that was a nice touch).

And then there’s Will and Jem–parabatai, like Jace and Alec are in TMI. There’s a bit of mystery surrounding each of them; both seem to harbor dark secrets, especially Will. Tessa finds herself drawn to each of them, of course. Jem is kind and brave, but unfortunately suffers from a mystery illness that makes it difficult for him to fight. And Will…..well, Will is the gorgeous, dark-haired, arrogant, sarcastic, broody one who lashes out at people because he’s compensating for his inner turmoil/vulnerability–so, naturally, he’s my favorite. Sorry not sorry. You get to find out Jem’s secret in Clockwork Angel, but Will’s past and why he’s so broody and angry is still shrouded in mystery at the end of the book, which was REALLY frustrating, and made  me want to read the next two immediately, except I don’t have them yet. I mean…Will’s not the only reason I want to keep reading, but I won’t pretend like he’s not one of the reasons. Oh, Cassandra Clare, why must you do this to me?

Clockwork Angel also had an awesome ending. Besides the twist, Tessa learns to at least partly accept her unique ability and uses it in a really incredible way. I much prefer when the main character outwits his or her opponent rather than killing them or something. I mean, if the villain was dead after the first book, it probably wouldn’t have been a trilogy, but I just think it makes for a more creative resolution. Tessa is a strong female lead, and I’m excited to see how she grows in the series.

Last but not least, I’m so glad Magnus Bane is immortal, so that he can be in ALL of Cassandra Clare’s books. He was only around a little bit in this book, but the ending hints that he might have a bigger presence in Clockwork Prince. I hope. He better.