The Devil Inside: Part II


II.

“I am sorry about Lord Gaston, m’lady,” Belle’s maid, Constance, says to her later as she is helping Belle out of her wedding dress.

“Thank you, Constance,” Belle replies politely. I am not, she wants to add, but holds her tongue. Belle gingerly steps out of the gown and shimmies into a mauve-colored dress, which is just as pretty and feminine but more comfortable.

“Is Lord Gaston still downstairs?” Belle wonders as Constance is fastening the dress in the back. She had seen him talking to her father before going upstairs to change.

“No, m’lady. He told your father that he is off to pay a visit to that wicked hermit, Rumpelstiltskin.”

Belle freezes. “What?” she whispers. She recovers herself quickly and pulls away from Constance. “I need out of this dress. Now,” she commands with uncharacteristic harshness. “I want to put on my riding clothes.”

Constance’s sky blue eyes look surprised, but she nods and goes to Belle’s closet. “As you wish, m’lady.”

In mere minutes, Belle has changed clothes for the third time. She pulls a blue cape around her shoulders and runs downstairs to the stables, rushing past her father even as he’s saying her name. “Not now, Papa!” she calls over her shoulder. At the stables, she readies Chestnut and launches herself into the leather saddle, adjusting the reins in her milk white hands.

“Where’re you going in such a hurry, Miss Belle?” the stable boy asks her in a panicked voice, still watching her, dumbfounded, from the corner of the stall.

“It is no concern of yours, Brandon,” she tells him. She hates being brusque with sweet, reliable Brandon, but she’s on a mission. She has to get to Rumpelstiltskin’s before…before something terrible happens. Belle isn’t sure who she’s more afraid for: Rumpel or Gaston. Her hands are sweaty on the reins and her heart pounds so loudly in her chest she wonders if Brandon can hear it. Taking a deep breath, she murmurs “Good girl, Chestnut,” before jerking the reins and sending Chestnut charging onto the path through the Dark Forest.

The chilly mid-morning air whips at her face, but Belle urges Chestnut on, determination surging through her body, through her hands and fingers, to the powerful legs of her beautiful brown horse. She abruptly skids Chestnut to a halt when they reach Rumpelstiltskin’s house. The house seems quiet and dark. After gracefully dismounting Chestnut, Belle tethers her to one of the wooden fence posts. She removes the hood of her cloak and approaches the front door with some trepidation. Even though she knows she must stop Gaston, the last time she was here Rumpel told her that he did not love her as she had assumed – he had called her a “warm body.” He does not want you here, whispers Doubt in the back of her mind. He does not love you. Why even bother? Go home and forget about him. But most of her doesn’t really believe that Rumpel was using her, and it is this that propels her forward.

Belle turns the knob and pushes on the front door. It opens with a loud creak, making her jump back. She waits a few moments, but doesn’t hear any answering noises, so she tiptoes inside and gently closes the door behind her. As always, the house is vast and magnificent, more like a museum than a place to call home. And quiet. So quiet.

“Hello?” Belle shouts, her voice sounding even louder than she had intended against the eerie silence. She removes her cloak and tosses it on one of the burgundy chairs. Quick exploration of the first floor confirms that there’s no one there, so she ascends the grand staircase, not caring anymore if her black riding boots cause the stairs to creak.

“Hello? Rumpel?” she calls, but there’s no answer. Am I too late? she wonders, her brow creasing with concern. Belle checks all of the rooms, but there’s no Rumpel, no Gaston. Maybe Constance was wrong. Maybe Gaston simply went home to sulk, and Rumpel was out being his mischievous self, making deals and doing magic…

That’s when she hears the strangled cry. Belle starts at the sound of it and rushes back to the room she’s just inspected, the master bedroom. It’s still empty, of course. The cry was unmistakably her Rumpel, but where had it come from? Then, she hears another, deeper voice shouting, and she realizes it’s drifting in from outside through the open window.

They’re on the roof.

Prying open the window the rest of the way, Belle crawls out onto the flat part of the roof. Now she can hear the scraping of boots against the shingles, and Gaston bellowing, “You stay away from her, you hear me? You worthless, undeserving little –”

“Rumpel!” It comes out as a terrified shriek when Belle sees them at the edge of the roof. Rumpel is scrambling to keep his footing, and Gaston has his sword poised underneath Rumpel’s chin. “Gaston, let him go! Please!”

“Stay out of this, Belle!” Gaston growls at her, his stance unwavering. “This coward is not the man for you! He is barely a man!”

“Gaston, please!” Belle knows how ridiculous she sounds, how pathetic and desperate, but, with no weapon or magic of her own, she doesn’t know what else to do except to beg Gaston to stop. “Please let him go. I love him,” she sobs, unable to hold back the tears that have started to pour down her face. Through the haze of her tears, she sees Rumpelstiltskin looking at her now instead of at his attacker, but she can’t read his expression. “I love him.”

Gaston glances back at her, seeming to hesitate. Finally, Belle relaxes as she watches Gaston withdraw his sword and return it to its sheath. “I hope to God you know what you are doing, Belle –”

Belle is looking at Gaston, listening to his fervent pleas, so only out of the corner of her eye does she see something skitter along the rooftop and into Rumpel’s eager, outstretched hand, which clutches the object and raises it behind Gaston –

“Rumpel, no!” Belle now implores her love, but it’s too late; Gaston staggers forward, Rumpelstiltskin’s dagger sticking out of his back. He collapses, his forehead smacking against the roof, blood gushing from the wound. Belle kneels down beside him and cradles his head in her arms, but his eyes are closed and he has stopped breathing. Whether it was only from the injury itself, the magic within the dagger or a combination of both, Belle isn’t sure, but Gaston is already dead.

For a moment, Belle cannot find words. Although impulsive and even sometimes aggressive, Gaston was a good man, a  man she would have gladly married if she hadn’t already found her one, true love.

To her surprise, her cheeks are dry now, and she can’t cry anymore. Belle shakes her head slowly. “What have you done, Rumpel?” Her voice is small but filled with despair and exasperation. She looks up at him. Although he would never rival Gaston in breadth and height in life, Rumpelstiltskin seems to tower over Gaston’s lifeless body. He cocks his head to one side, appearing more confused than repentant.

“He was trying to come between us, my love,” Rumpel tells her as though it should be the most obvious thing in the world to her. “He was trying to kill me. I was defending myself. Us,” he insists, taking a step toward her. Belle automatically shrinks away from his proffered hand.

“He was just threatening you!” she yells, throwing all of the anger and hurt building up inside of her into her words. “He had put his sword away, was about to leave us alone! He could not defend himself. And anyway, he would not have actually killed you, he was not a –” Belle clamps her mouth shut so that she doesn’t blurt the word she’s thinking of. Rumpel’s face falls and he drops his hand.

“A what, Belle?” he hisses. Belle flinches as he yanks the dagger from Gaston’s back. It drips blood onto Gaston’s midnight blue coat, forming little purple blotches. “Gaston was not a what?”

“A monster!” she finishes reluctantly, not meeting his gaze.

“What, like me?” Rumpel spits at her. Then, he emits one of his strangled, high-pitched cackles. Belle usually finds his laugh endearing, but right now it sends chills up her spine. “I am a monster, love. A beast, if you will. You never really understood that, did you, that you were in love with a beast?” He walks around Gaston and bends down so that they’re face-to-face. Belle is forced to look him in the eye, now, and she sees that the man she thought she had brought back to life through their lovemaking and heartfelt talks in the library is gone. His eyes shine only with hatred.

“I’m going now,” Belle whispers, standing up and walking deliberately back to the open window. Without looking back at him, she adds, “I did love you, you know. And I know you loved me, too.” She pauses for Rumpelstiltskin’s response, but when he doesn’t speak she ducks back through the window. As soon as Belle’s feet hit the floor, she breaks out into a run and doesn’t stop until she reaches Chestnut. She realizes she has forgotten her cloak, but untethers and mounts Chestnut anyway, goading the horse back into the Dark Forest, never looking back.

The Devil Inside: Part I


Trying my hand at fanfic – I hope you enjoy this short story even if you aren’t a fan of the show it’s based on, “Once Upon A Time.” I feel like this is really the end of a story (or maybe the middle?), but it’s what came to me; perhaps one day I’ll write the rest of it. (It also turned out kind of depressing, so I’m sorry for that too!)

In keeping with my new theme of naming stories after 80s pop songs, this one is called The Devil Inside. I’m splitting it up into two posts because it got kind of long…you can find the link to Part II at the end!

[I must state that I do not own the rights to these characters. This piece is based off of events that occurred in Episode 12, “Skin Deep,” in season one of ABC’s “Once Upon A Time.”]

 The Devil Inside

In the first season of the Once Upon a Time tv series version of Beauty and the Beast, the lovely Belle becomes the prisoner of the wicked Rumpelstiltskin. Rumpel and Belle grow closer throughout the episode until they finally kiss; however, Rumpel breaks the kiss and kicks Belle out when he suspects that she is trying to break the curse that gives him his powers. In my version, this never happens; in fact, Rumpel and Belle do way more than just kiss many, many times. While Rumpel turns Gaston into a rose in the OUAT episode, Gaston is still alive in my version, and he comes to Rumpel’s castle to rescue Belle. Rumpel lets Belle leave with Gaston, insisting that he never had true feelings for her and was only using her for sex. Belle reluctantly returns home with Gaston, and this short story picks up the morning of their wedding day.

I.

Belle studies herself carefully in the mirror. Her long, white silk gown fits her body snugly while still maintaining some semblance of modesty, and her maid has woven small white and pale pink flowers throughout her dark brown tresses. She watches a tear roll slowly down her reflection’s cheek. This is my wedding, she thinks to herself. Should I not be happier?

“You look breathtaking,” a deep, masculine voice rumbles behind her. Belle jumps, startled, then whirls around.

“Gaston! You should not be in here,” she gasps, making futile attempts to cover her wedding gown with her dainty, pale hands. “You know it is bad luck to see the bride in her wedding dress!”

“A silly superstition,” he insists, strolling further into her bedchamber. He stops short and peers at her glistening cheeks. “Have you been crying?” he asks her softly.

“What?” Belle hurriedly wipes her cheeks dry with the back of her hand. “A little,” she confesses. “Tears of happiness.” But her voice cracks when she says this last part.

Gaston looks at her doubtfully and sits on the foot of her bed, crossing his ankles. She can’t help but notice how handsome he looks –imposing, in his midnight blue uniform and black boots, but handsome.

“You do not love me, do you, Belle?” he asks her, his bluntness catching her off guard.

“I –why –that is just not true,” Belle stammers, but she can’t look him in his hazel eyes.

“I know it is,” Gaston counters. “I have realized it for some time, I think, but I did not want to admit it to myself.”

Belle is about to protest again, but then her shoulders sag and she shakes her head sadly. “I am so sorry, Gaston. You are such a wonderful, kind man, and you are most deserving of a woman who can return your love. Do you love me?” she wonders, her voice barely above a whisper.

He finally catches her gaze and holds it steadily. “With all my heart,” he says.

Belle comes around to sit beside him on the bed, brushing aside any feeling of guilt over this breach of propriety. “What are we going to do?”

“Well, it is going to disappoint a lot of people, but…we are going to go into the church, shoulders back and heads held high, and let our guests know that the wedding is off.” Belle can’t help but smile at his words; Gaston’s tone makes it sound like it will be the easiest thing in the world.

“Belle, there is something I simply must know, if you will not mind my prying,” Gaston continues, suddenly standing and facing her squarely. “Do you love another?”

Belle feels a blush creep onto her cheeks. “Yes.” The word is barely above a whisper.

“Is it…Rumpelstiltskin?” Gaston gulps before uttering the name, and then says it as if it pains him to do so.

“Yes,” Belle repeats, this time more loudly and with more conviction. Yes, she’s fallen in love with Rumpelstiltskin. How is it any of Gaston’s business?

“Belle, may I make a request?” Without waiting for her reply, Gaston proceeds, “I am willing to accept that you do not return my love, and I do not wish to marry someone that is not in love with me. I wish you only the best and hope that you do find your one, true love.

“But please, please do not let that one, true love be that horrid Rumpelstiltskin.” Now Gaston is kneeling before her, taking her hand as though to propose marriage again. Pleading with her. “No matter how much you wish it otherwise, he will always be monstrous, wicked, and less than a man. Give your heart to someone kind, loving and good. Someone that deserves it.”

Belle yanks her hand away from his and jumps to her feet. “I appreciate your concern, Gaston,” she says through gritted teeth, “but I will love whomever I damn well please.”

For a moment, they are both silent, staring at each other, daring the other to speak. Finally, Gaston rises and crosses the room to the door.

“Then do as you please,” he says coolly from the doorway, his back turned to her. “May I request that you join me at the church as soon as possible so we can inform our guests that there is to be no wedding.”

Belle’s tenacity caves as she watches Gaston leave, wishing that they had left things on better terms. She goes back to the mirror and angrily rips the delicate flowers from her hair. They fall and pepper the floor around her like a pinkish white snow.

The Devil Inside Part II >>

Sunday Showdown: Meg Ryan v. the 22-Year-Old Cocktail Waitress


After a busy week, yesterday I retreated to the warm and fuzzy black hole that is my couch with a serious case of the sniffles and popped in a few of my favorite movies – among them, my ultimate favorite romantic comedy, “You’ve Got Mail.” And now to go along with my cold, I have a serious case of the 90s.

With this post, I know I risk echoing Mindy Kaling’s rom com-obsessed character on her new show, “The Mindy Project” (which is awesome, by the way.) And I realize that nostalgia fills us with a deceptive longing for times gone by: Although we’d like to think so, music, movies, TV shows, etc. probably weren’t really any better back in the day, as much as we like to think so. Ascertaining that the pop culture of the past is better than today’s gives us a sense of superiority over more fledgling generations.

Despite this, I would like to argue that rom coms were, in fact, better in the 90s (at the risk of sounding like an old fart).

1. Meg Ryan

First off, I love Meg Ryan’s rom coms. I know that type-casting her in these roles probably cost her other, more challenging roles, but she is the quintessential 90s rom com heroine. Although “You’ve Got Mail” is my favorite, other adorable movies with her are “Sleepless in Seattle,” “Kate and Leopold,” and probably also “When Harry Met Sally,” which I admittedly have never watched (although I want to, just haven’t gotten around to it). Kathleen Kelly is beautiful, a bookworm and a career woman. She owns her family’s book store, Shop Around the Corner, and has aspirations to write children’s books. When her privately owned bookstore is threatened by the big, bad chain store Fox Books (ironic from today’s perspective since even those have been trumped by Amazon), she “goes to the mattresses” to try to save her business. Ultimately, she must gracefully close the Shop Around the Corner, but she emerges from this journey as an even more ambitious, self-motivated woman. Kathleen Kelly is a smart and strong leading lady, and “You’ve Got Mail” itself is as witty and intelligent as rom coms come. And of course, the dynamic between Ryan’s character and Tom Hanks’ Joe Fox is utterly adorable. Other pluses: Dave Chappelle plays Hanks’ bff, and Greg Kinnear’s technophobic Frank Navasky owns about a zillion typewriters.

2. The 22-Year-Old Cocktail Waitress

In case you were born circa 1995 or so and aren’t familiar with the sheer awesomeness that is “You’ve Got Mail,” the title of my post derives from one of Kathleen Kelly’s quips in response to finding out Joe Fox’s true identity: “‘Joe’? ‘Just call me Joe’? As if you were one of those stupid 22-year old girls with no last name? ‘Hi, I’m Kimberly!’ ‘Hi, I’m Janice!’ Don’t they know you’re supposed to have a last name? It’s like they’re an entire generation of cocktail waitresses.”

Although I have nothing against the rom com actresses of, ahem, my generation (I am in twenties), there is something lacking in more recent rom coms. Sure, they’re cute…I would watch “How To Lose A Guy In Ten Days” and “Letters to Juliet” more than once. But others, like the disappointing movie version of Sophie Kinsella’s witty book “Confessions of a Shopaholic,” depicts the main female character as the vapid, materialistic cocktail waitress suggested by the quote above. And, as much of a fan I am of the rest of the franchise, the second “Sex and the City” movie catered to a very similar idea. Gone are the ambitious career women who are able to balance work, life and love; in their place are ladies whose penchant for buying shoes they can’t afford isn’t really that funny anymore. And no, it’s not really Isla Fisher’s fault, but a combination of crappy writing and gearing of script towards an audience they believe exists due to the shenanigans of those around my age who are in the public eye (I’m looking at you, Paris Hilton and Kim Kardashian).

 

Or maybe it’s Sunday night, I’m still sick and hopped up on cold medicine and thinking way too deeply about this.

So, what do you think of 90s (or even 80s) rom coms versus those of today? Which are your favorites, and why? I’d love to hear your thoughts in the comments!

Book Review: Into the Dreaming


In case I haven’t mentioned it before (but I know I have!), I am a HUGE aficionado of Karen Marie Moning. Her Fever series is one of the best series I have picked up since Harry Potter and trumps all of the other book series that have hit mega-popularity in recent years (Twilight, Fifty Shades, even The Hunger Games). Unfortunately, I haven’t gotten around to reading her Highlander novels yet, although these are on my to-read list (time traveling sexy Scotsmen? Heck yes!). But Into the Dreaming was my first taste into the world of her Highlanders, and although its novellas didn’t hook me as much as the Fever books did, they were still enjoyable, fast reads.

In the forward, Ms. Moning talks about how, upon writing Into the Dreaming, she first realized there was a darker story that needed to be told involving the Seelie/Unseelie mythology. This, of course, led to her MacKayla Lane novels. Into the Dreaming tells the story of Aedan, a Highlander who allows the Unseelie King to keep him in captivity for five years in exchange for the safety of his family. What he doesn’t know is that five years really means five years in Fairy, equal to 500 Earth years. The centuries in Fairy eventually breaks Aedan, and he becomes the Unseelie King’s minion, Vengeance. However, the Seelie Queen has a plan to free Vengeance/Aedan and sends Jane, Aedan’s soul mate back in time to Scotland to remind him what it means to be human and love.

Other treats in Into the Dreaming include a proposal for a book she never ended up getting published called Ghost of a Chance, an excerpt from Kiss of the Highlander, and what Moning calls The Dark Highlander – Lite. Lite is the first draft of this particular Highlander novel that didn’t meet Moning’s dark vision for the story. There are elements of a darker story in the Lite version; however, the interactions between Dageus and Elisabeth are adorable if anything else. If Dageus is even sexier and more dangerous in the published version, I can’t wait to read it!

In general, I love how Moning’s books are centered around strong, female characters. Although I haven’t read the full versions of the above Highlander novels yet, their main female characters are both successful in academia. (In Kiss, Gwen is a prominent physicist, and in Dark Elisabeth is a graduate student in psychology at Harvard.) And of course, the Fever series follows blond bombshell MacKayla Lane’s transformation from a carefree bartender into a bad ass, street-wise sidhe-seer and Unseelie slayer.

So basically: Strong female lead + insanely sexy man from overseas + sex + Irish folklore + sex + plot twists and turns + sex = Karen Marie Moning. Read all of her books. Now.

…But before you do, if you haven’t taken the time to do so yet, please help me pick a name for my character Jimmy’s band in The Wild Ones by taking the poll here.

“Starry Eyed”


I haven’t been listening to the radio much this summer. When I do, I’m usually in my car, and it’s usually to one of my city’s two pop music stations. You can not listen to pop radio for two months and then hear the same songs when you tune into it again.

However, today I discovered Ellie Goulding while in my car, listening to the radio. I had heard the name, knew she was a singer, but hadn’t really given her music much thought. Then I heard “Lights,” and realized what a different (different good) voice and unique style she has. She almost reminds me of those Indie rock psychedelic bands like MGMT, only she’s a solo act (and a girl).

While exploring her songs on YouTube, I came across the video for Starry Eyed. (Watch it here.) Another great song by her, but what really struck me is how much it reminded me of one of the few books I’ve actually finished writing, Star Eyes. Especially with this video, it’s like the frickin’ theme song. So, I decided to post one of the chapters from Star Eyes before I return to focusing on The Wild Ones. Perhaps at some point I’ll even post Star Eyes in its entirety, although I wanted to play around with the POV and verb tenses first.

(BTW, if some of the characters sound familiar, they are the same characters mentioned in my first post -Ava, Tyler, and Celeste. So this is basically some back story to that excerpt, which would appear in a sequel.)

Also, please feel free to rate (above) and/or like (below) my posts. 🙂 I love getting feedback.

***

Monday night was crisp with the onset of autumn. Celeste kept the passenger side window of Ava’s car open to let the cool night air hit her face. A distinct feeling always overwhelmed her when fall arrived, a mixture of anticipation and tranquility as she watched the leaves on the trees change from green to gold.

“It looks like something’s going on at the park,” Ava said. Celeste snapped out of her reverie. She was surprised they had made it to Hickory Park already; Ava was navigating the side streets at about fifteen miles per hour, her hands gripping the steering wheel precisely at the ten and two o’clock positions. As the car turned the corner, the headlights swept over a small crowd gathered in the middle of the park.

Ava parked and popped the trunk, and they climbed out of the car. Celeste lifted her telescope out of the trunk and slammed it shut. They crept to the edge where the sidewalk met the grass.

“What are they doing?” Ava wondered.

“I think they’re doing the same thing we were planning to do,” Celeste realized. People had broken off into twos and threes and were setting up telescopes all around the park. Some had binoculars like the pair Celeste wore around her neck and were already scanning the black and blue sky.

Celeste sensed movement out of the corner of her eye. Someone was walking toward them.

“I thought that was you,” Dave said as he got closer. “I didn’t know you were in the Astronomy Club.” He had his hands in the pockets of his brown leather jacket.

Celeste knew that Ava was looking from Dave to her in confusion, but Celeste couldn’t speak. Was it possible for your heart to leap up into your throat?

When Celeste still hadn’t said anything, Ava said, “We didn’t know there was an Astronomy Club, actually. We come here all the time. I’m Ava,” she said and stuck out her hand expectantly.  It was one of Ava’s many gestures that usually intimated people their age. Dave, however, shook it amiably.

“Dave. I guess you don’t remember me,” he said to Celeste. He laughed, but his smile was uncertain.

“I remember you,” Celeste finally said. “Dave has A.P. Chem with Mr. Brightman,” she explained to Ava. “I met him doing my make up lab last Friday.”

Ava gave an exaggerated nod to show Celeste that she remembered. “So, since when do we have an Astronomy Club?” Ava asked him.

“It’s something new Mr. Landau is starting this year,” Dave said. “He’s the physics teacher. That’s who’s mostly here right now, our physics class. But come on. You should join us.”

He started to walk away. Celeste and Ava looked at each other before following.

His telescope was already set up. Someone was bent over it, adjusting the field of view.

“This is Tyler,” Dave said. “Tyler, this is Celeste and Ava.”

Tyler looked up. Celeste heard Ava inhale sharply.

“I know you.” Ava pointed an accusatory finger at Tyler. “You’re that guy who bumped into me today in the hall after lunch!”

Tyler’s face remained impassive. He was still wearing his black trench coat, only this time Celeste noticed it was worn over a pair of baggy black jeans and a black shirt. Even his fingernails were painted black. “I guess I really didn’t care enough at the time to actually remember it now,” he said without feeling.

There was a moment of awkward silence. “So. Anything in particular you guys want to look at?” Celeste asked. She looked up at the sky, where pinprick white stars were popping out one by one.

“We’re supposed to focus on constellations tonight,” Dave told her. “Here.” He handed her a paperback book that had a picture of the Milky Way on its cover. She flipped through it, and then handed it to Ava, who was holding her hands out eagerly.

“I see one,” Celeste said. She pointed at a patch of sky fringed by the rust-colored leaves of two maple trees. The others followed her gaze. “Cygnus, the swan. It looks like a cross.”

“It says in here that we should be able to see –” Ava started to say, but Dave talked over her.

“If that’s Cygnus, then that must be Lyra next to it,” Dave said. He came to stand by Celeste. “One of the Greek myths says that, after Orpheus was murdered, he was turned into a swan and placed in the sky beside his lyre.”

Celeste felt herself smiling. “Wow. I didn’t think anyone was as interested in this stuff as I am,” she said.

“I love astronomy,” he exclaimed, but she detected a note of embarrassment in the way he said it. “Thinking about what’s out there –that we’re really just a tiny planet floating in one solar system of one galaxy out of countless more –it helps me put life in perspective.”

“Are any of you listening to what I’m saying?” Ava said as though she were talking to a couple of misbehaving children. She closed the book, marking the page with her finger, and crossed her arms.

 “Hey. What’s that?” Tyler said suddenly. He was pointing again at Cygnus. Celeste didn’t see anything right away. She glanced back at him, about to tell him so, but she stopped when she saw his dark eyes widen and fill with awe. Without looking down, he removed a small, silver digital camera from his coat pocket.

“What are you looking at?” Dave asked.

“See? See that light up there? This is amazing,” he gasped. “Do you know how many nights I search the skies, hoping to see one? It’s always when you least expect it.”

Finally, Celeste saw it.

At first, she didn’t understand what she was seeing. There was a distant, perfectly oval-shaped white light traveling smoothly and swiftly across the sky.

“What is it?” she wondered out loud.           

“A shooting star,” Ava said. “Come on –why don’t we do what we came here to do? I found the Cygnus page in this book –”

“That’s not a shooting star,” Tyler insisted. “It’s a U.F.O.”

“A what?”

“An Unidentified Flying Object.”

“I know what ‘U.F.O.’ stands for,” Ava shot back. “I was being skeptical.”

“Just because we say it’s a U.F.O. doesn’t mean it has little green men on it,” Dave said, although Tyler seemed to be convinced otherwise. “It just means that we don’t know what it is. It’s definitely not a shooting star, though.”

They watched it for several minutes. To Celeste, its movement was too purposeful to be a shooting star. She didn’t know why her heart was pounding so loudly in her chest.

“You know, we have one of the highest instances of U.F.O. sightings in the world. Not just the United States, the world,” Tyler emphasized.

“Why would you know something like that?” Ava said.

“Because I read up on and follow paranormal activity. You’re a feature editor for The Voice, aren’t you?” His tone was exasperated as he feverishly snapped picture after picture.

“I knew you were on the staff. You’re the Tyler that writes ‘Dark Corners,’” Celeste realized.

“Yes, I am.” His voice lost its impatience when he addressed Celeste. “And this is going to make a great article. Shit, where’d it go?”

They searched the sky, but the U.F.O. had disappeared. Celeste peered at the faces of the other students, but it didn’t seem like anyone else had seen the extraordinary light.

“All right, everybody,” Mr. Landau called out an hour later. “Time to pack up. Thanks for coming out everyone.”

“We should do this again sometime,” Dave said to Celeste as he disassembled his telescope. “With or without the Astronomy Club. What’s your number?” He fished his cell phone out of his pocket. She hesitated, but then recited it to him.

“Call me so that I have your number,” she told him. A minute later, the chorus of “Strangers in the Night” sounded in her purse. She took out her phone to save his number.

“Frank Sinatra,” Dave commented, cracking a half smile. “Nice.”

“Ready to go?” Ava asked her pointedly. Celeste nodded.

“It was nice seeing you again,” she said. “It was nice meeting you, Tyler.”

“Have a good one,” Dave said as she and Ava headed for the car.

“So, what did you think of our U.F.O.?” Celeste asked once she and Ava were in the car. She made sure to say the last word with as much skepticism as possible.

“I still think it was probably just a meteor or a reflection or something,” Ava said. “Why? What do you think it was?”

Celeste shrugged. “I don’t know. You’re probably right.” But she did wonder whether it was the kind of U.F.O. with little green men on it. For some reason, Tyler’s fun fact had lodged itself in her mind. Why would their small, unsuspecting town of all places have so many U.F.O. sightings?

“Here you go,” Ava said. Celeste jumped. She hadn’t realized that Ava had pulled up to the curb in front of her house. The lights were still on in the living room.

“Thanks for the ride. I’ll see you tomorrow,” she said and opened her door.

“No problem. See you tomorrow.”

Copyright 2012 by S. L. Stacy

Book Review: Fifty Shades Freed


As I was reading Fifty Shades Freed, the last book in E. L. James’ bestselling Fifty Shades trilogy, I wondered what on earth I would want to talk about in this book review. The first two books were pretty hot, entertaining and over-dramatic (in a fun way). This book was…eh. But, I’m not going to tell anyone not to read. Especially if you’re like me, and you’ve read the other two books, your borderline OCD  will compel you to read this last one and finish off the series.

(If you haven’t read the first two books, I’d suggest to stop reading this review unless you want spoilers.)

Freed starts out with Christian and Anastasia on their honeymoon and jumps between their sex-filled romp through Europe and Anastasia’s flashbacks to fill in the gaps between where Darker left off and this book begins. I guess E. L. James was trying to mix things up, but really I found this jumping back and forth to be unnecessary and just annoying.

To be honest -and I usually have good retention -I can’t even really remember anything that happened between those first fifty pages or so of the honeymoon and when the book finally starts to pick up -around page 300. Most of the middle is filled with them Mr. and Mrs.-Greying each other. Anastasia also reveals some jealousy and animosity toward the blond bombshell Gia Matteo, the architect working on their new home. One nice touch by James is the emergence of Anastasia’s “inner bitch” when she warns Gia that Christian isn’t interested in her. I suppose this is James trying to show Ana becoming a stronger woman – but is an envy-driven confrontation really a show of strong character? I’m not convinced. I was really hoping that Ana would have more sit-downs with Christian’s shrink, Dr. Flynn, but James seems to have totally abandoned this relationship in Freed.

One scene I devoured was a sexy dance between Ana and Christian when they go to a nightclub with Elliot, Kate, Mia and Ethan. It wasn’t anywhere near as explicit as their other sexual encounters, but it was a very sensual moment between husband and wife. In Freed, Ana does start to own her appeal, her sexuality, which I think makes her a more even match for Christian.

As I said, the book starts to pick up eventually with the reappearances of a few old enemies, including a brief one by the woman that seduced Christian when he was fifteen, Elena Lincoln. There are also some tense moments when Ana has to pretend she’s leaving Christian in order to save someone very close to them. (I couldn’t decide if she was being brave or stupid.) I hope I’m being sufficiently vague -if you are going to read the book, I don’t want to totally spoil it for you. There are a few surprises James has up her sleeves for her characters. Although Christian and Ana once again have many ups and downs in this book, Freed does have a happily-ever-after ending, so don’t fret.

I was also disappointed with the lack of Jose, Ana’s photographer friend who still harbors feelings for her. Although he makes a few appearances in Freed, I find it strange that James seems to abandon him and their friendship.

I have to say, my favorite part of the book was actually after the epilogue, where they included a few extras: first, a chapter from a very young Christian’s POV during his first Christmas with the Greys; second, the scenes from the first book where Christian and Ana first meet and when he “runs into her” at Clayton’s Hardware Store, written from Christian’s POV. Although the rewritten scenes are somewhat over the top, it’s entertaining to learn how Christian was assessing Ana during their first interactions. In fact, I wouldn’t mind reading Fifty Shades of Grey entirely from Christian’s POV, but I have no idea if James intends to write such a book.

In any case, I hope she doesn’t have any completely new material with Christian and Ana. I think she has explored these two far enough for my taste. What would come next, anyway…Fifty Shades and Baby?

Book Review: 50 Shades Darker


After I wrote the 50 Shades of Grey review, I realized that I forgot to mention a few things, but they still hold true for the sequel. But first, a quick recap of 50 Shades Darker.

I’m not sure what is “darker” about this sequel. We do find out more about Christian Grey’s dark childhood and the reasons behind his sexual tastes. (He is, truly, “50 shades of fucked up.”) But the series up to this point isn’t actually about an innocent young woman getting ensnared by a handsome, rich control-freak that likes kinky sex. Instead, it becomes the story of how is starting to change when he’s with her, realizing that he wants different things from life. (If you’ve read 50 Shades of Grey, you know that Ana leaves him at the end. I hope it’s not too much of a spoiler to say that they get back together in this book. It happens only a few pages in.)

But besides the ups and downs (and there are many) of Chanastasia’s relationship (ok, my attempt at smooshing sounds kind of awkward) and all the sex, which there is also a lot of, 50 Shades Darker does have more suspense and intrigue than the first book. We get to meet Elena Lincoln, a.k.a. “Mrs. Robinson,” the woman who used Christian as her submissive starting when he was only 15. Ana is also stalked/harassed by one of Christian’s ex-submissives, Leila, who looks disturbingly similar to Ana. Meanwhile, Ana also has to fend off her lecherous new boss, Jack Hyde. Although the book starts off a little slow, midway through it picks up with a deliciously dramatic confrontation between Christian and Ana, and from then on I couldn’t stop reading. Also, most of the sex scenes are really hot, although a little overdone. Every ten pages it’s like “they’re doing it AGAIN? REALLY?!” I do not need to be jealous of book characters.

I should have also mentioned for my first 50 Shades review tha I enjoy E. L. James’ personification of Ana’s subconscious and “inner goddess.” Although I don’t think she’s that great of a writer, I thought that this was pretty clever. I also can’t help but love the emails between Christian and Ana. Too. Adorable.

A few grievances about the writing: Why does Ana think Oh my every freaking time she’s turned on? Oh my! OH MY! Just…just stop. It’s also impressive that E. L. James can describe characters without really describing them at all. All we really know about Christian is that he has copper highlights in his hair, gray eyes and is super effing gorgeous. Which I guess covers it, except it really allows her to avoid using actual writing skills to really describe him in detail. Same with Ana, really. She’s a slim brunette with big eyes. Um, ok. Also, sometimes the expressions/phrases she uses sound odd, both in the narration and in the dialogue. In fact, they sound British – I mean, I know E. L. is British, but she should be a good enough writer to make her characters sound more American since they, uh, kinda are.

I REALLY liked that she incorporated some dialogue between Ana and Christian’s shrink, in which Dr. Flynn asks her why she doesn’t think she’s worthy of Christian. Thank you Dr. Flynn! Although they don’t delve into it here, I hope they do in the next book. Maybe Ana will transform into a strong female character, which would be nice.

Finally, I’ve started listening to and am currently pretty obsessed with HIM, and I’ve decided that “Right Here In My Arms” reminds me of Chanastasia. The music video is below – enjoy! Laters. 😉

Book Review: 50 Shades of Grey


Ok, so I’m sure that almost everybody has an idea of what this series is about, even if you haven’t read it yet: Recent college grad Anastasia Steele meets young, sexy entrepreneur/gajillionaire Christian Grey and, despite his not-so-subtle warnings to stay away from him, gets lured into his world of über kinky sex.

The book blossomed from some Twilight fanfiction by the author, E. L. James – and Twilight’s influence on the characters and their relationship is pretty clear. Like Bella, Ana is a slightly awkward, clumsy brunette who seems to have zero self-esteem and is the only person that doesn’t realize how lovely/alluring she is. Christian is Edward minus the being-a-vampire thing: Ridunkulously handsome, charming, wealthy and disturbingly controlling. His need to control everything and everyone also infiltrates the bedroom (or, in his case, what Ana calls his “Red Room of Pain”): Christian gets off on dominating women during sex. And I don’t mean a little role-playing here and there; until Ana comes into his life, it’s the only way he knows how to have sex. Even though Ana isn’t entirely comfortable with all of Christian’s kinky tastes, she can’t stay away from him, and he is also completely and maybe a little inexplicably drawn to her. (I don’t mean inexplicably because Ana doesn’t deserve a hot, rich boyfriend; I’ll get to that in a bit. I mean because she’s rather innocent and may not be able to fulfill all of his darkest desires.)

My feminist sensibilities want me to not like this book – not because of the kinky sex, but because Christian is such a control-freak in all aspects of Ana’s life, at times reaching stalker levels. This is the same way I felt about Edward in the Twilight books (Team Jacob, all the way). So why do women like reading books about  controlling men? I think it’s because it speaks to our fantasy of being able to change a man, even leading him out of his darkest days. As long as any woman who reads 50 Shades keeps in the back of her mind that this type of situation does not translate into a desirable, real-life relationship, it is an entertaining book, even if Ana is a really annoying character.

So, about Ana: What is with some female authors writing such weak female main characters? It’s fine if Ana is supposed to be a “normal” young woman who falls for an extraordinary-sounding guy, but why does she have to be so self-deprecating? “Oh, I don’t deserve him, but he’s so hot and rich and I’m crap” – what is that? Get some self-esteem. This is not a good mindset to have in any relationship or interaction, not just a sexual one.

That rant probably makes it sound like I didn’t like the book – honestly, I did, and I’m going to finish the series. Christian has a dark past and lots of secrets that I can’t wait to unravel. It just concerns me that anyone even a little bit impressionable that reads a book like this or Twilight will get the wrong idea about relationships and sex. As I said, what makes a juicy book does not necessarily make good reality.

Now, on to something a little more fun. Since I believe they are making at least the first book into a movie, I thought about who visually reminded me of these characters. For Christian Grey, Simon Baker from “The Mentalist” came to my mind. I don’t even watch that show religiously, although it is good when I do get around to watching it. This is just who popped into my mind when I read her description of Christian Grey (although he’s supposed to be a little younger than Simon Baker probably is).

For Ana, because of the “big eyes” description, the first actress that came to me was Amanda Seyfried, if she dyes her hair brown. Later, I thought of Emmy Rossum, who gave off a similar innocent appeal in the most recent Phantom of the Opera movie.

 

 

 

Book Review: Betrayed (House of Night Book #2)


This blog is only about a month old, and already I’m starting to slack. I haven’t had the time to prepare anything of my own to post (I guess that comes with being a scientist by day, aspiring smut writer by night), but for now here is another book review.

I enjoyed the second House of Night book, Betrayed, much more than the first. The first one was entertaining, but it had to set everything up so it didn’t exactly pull me in. But Betrayed had a lot more action in, and the Casts weren’t afraid to push their characters in new directions. You start seeing characters you hated in Marked in a different light, and characters you loved turn out to have a more sinister side. I love it when authors can blur the boundary between good/evil, instead of having clear sets of heroes and villains. Although the House of Night books aren’t quite there yet, the Casts start to play with this in the sequel.

I don’t want to summarize the book too much because it always ends up sounding like the pitch on the back of the book, but I will say that Betrayed is part paranormal romance, part murder mystery. Human teenaged boys are winding up dead, their blood sucked dry. They are also all boys that Zoey has some connection to. The unresolved subplot from Marked becomes one of the main focuses in Betrayed: Zoey finds out the truth about the “ghosts” of the supposedly dead vampyre fledglings. Through clues revealed through the first person narration that Zoey doesn’t even quite understand, the reader connects the dots faster than she does.

 You’ll either love or hate how the Casts try to distort your opinion of Aphrodite. Ok, I’m going to make another Harry Potter comparison…Aphrodite reminds me of the female Draco Malfoy, and not just because they’re both blonde. Like Malfoy, Aphrodite has affluent, control-freak parents, and although she has some moments of brief redemption, she’s basically mean and weak. I wonder how much this will change as the series progresses.

Also, Betrayed is waaaaay sexier than Marked. Zoey has THREE young men in her life: vampyre fledgling/actor Erik Night, her human ex Heath, and now Loren, vampyre Poet Laureate and part-time professor. Although Zoey is only 16, not gonna lie, the Loren and Zoey subplot was my favorite. He’s everything you could want in a book crush: Mysterious, sexy…yeah, basically those. But I kept switching back and forth between Team Loren and Team Heath. Since Heath is a human, he and Zoey have that forbidden-love thing going on. Although Erik Night sounds like the perfect boyfriend, his character is too bland for me to really root for him.

So, in general it was an excellent read. However, there’s still something missing from this series that I can’t put my finger on. I guess I’ll just call it the “epic” quality. The books don’t have that epic feel to them that some authors are able to create.

Anyway, I’m taking a break from this series to finally read the 50 Shades trilogy…almost done with the first one.

Book Review: Marked (House of Night Book #1)


Well, I’m back from a fantastic week-long beach vacation, over which I finished Marked, the first House of Night novel written by the mother-daughter writing duo P.C. and Kristin Cast. The book sets the stage for an alternate reality in which humans and vampyres coexist (and in which, apparently, some famous country stars are vampyres). Fledgling vampyres are humans whose vampyre DNA gets triggered during adolescence; they are Marked by a Tracker vampyre and must leave the life they know to be guided through the change by adult vampyres. However, not all fledgling vampyres are guaranteed to make it through the transformation and will die.

The book follows Zoey Redbird, a teenager experiencing some typical high school problems as well as some troubling family problems, who is Marked and transfers to the House of Night, a school for young vampyres. In a nutshell, at her new school Zoey clashes with Aphrodite and her powerful clique the Dark Daughters, crushes on the handsome budding actor Erik Night and fends off her obsessive human ex-boyfriend. Although her distinctive Mark initially sets her a part from the other newest fledglings, she ultimately finds a place for herself at the House of Night with a group of genuine and loyal friends.

In general, I really liked this book, although it didn’t suck me in like other series in the same genre have. Also, not gonna lie, my initial reaction to the whole vampyre school thing was that it sounded like a Harry Potter copycat. But I decided later that this is an unfair judgment – J. K. Rowling most certainly borrowed from other sources, and Harry Potter is so ingrained in our culture now that it would be hard not to think of it when reading another “school for [insert fantastical human/creature here].” And they’re obviously very different books. The House of Night sounds more like a typical American high school (you know, except for the part where they’re all going to be vampyres, and go to school at night – which was an awesome touch). The authors do an excellent job of incorporating pagan elements and rituals into their vampyre culture (I’m not describing them as “pagan” to mean something bad, that’s just the only word I can think of to sum it up). Although in my first post I wasn’t enamored with the first person narration, it definitely grew on me, although I’m still not entirely convinced that teenagers really sound like that. But it’s engaging and funny, and Zoey is a likeable, believable character. (Her favorite cereal is Count Chocula, which she realizes now is quite ironic – another nice, humorous detail the Casts include.)

So, if you’ve read The Vampire Diaries, Twilight or any similar books, I definitely recommend giving Marked a chance. I’m excited to have a new young adult paranormal series to, uh, sink my teeth into for the rest of the summer (cliché intended).